A year after the events narrated in The Alienist, the cast of characters from that novel are again brought together to investigate a crime committed in the heady days of New York in the 1890s, but this time narrated by the orphan Stevie Taggert. A young child, the daughter of Spanish diplomats, disappears. It seems she has been abducted but no ransom note is received and the detectives Isaacson quickly discover that a nurse, Elspeth Hunter, is probably the kidnapper. They also discover that Hunter has been a little too closely connected with the death of three other infants. But what are her motives? She married a fortune, and although she is connected to some fairly rough villains this crime does not fit their modus operandi. Is it something as 'simple' as psychological disturbance due to her own inability to bear children, or something more sinister unguessed at?
"synopsis" may belong to another edition of this title.
From the bestselling author of THE ALIENIST, this is his second tale of murderous deeds in 19th century New York. The book is a taut drama packed with memorable characters. I live in old downtown New York (and love history as well as mysteries) and I especially enjoy how well Caleb Carr has recreated the look and feel of (the optimism and depravity, the glory and darkness) of old New York and its multifarious nefarious denizens. If you like the life and times of Theodore Roosevelt, Jack Finney's TIME AND AGAIN or the film THE NAKED CITY (even though it is a different time period) you'll get totally caught up in ANGEL OF DARKNESS.
Teri Henry, Director of Subsidiary Rights
"As winning a historical thriller as The Alienist. . . . The reader keeps right on turning the pages."
--The New York Times
"A RIPPING YARN TOLD WITH VERVE, INTENSITY, AND A FEEL FOR HISTORICAL DETAIL . . . Once again we are careening around the gaslighted New York that Carr knows, and depicts, so well."
--The New York Times Book Review
"GRIPPING . . . Carr is at his strongest, exploring the dark underside of the human psyche and ferreting out the terrors and tragedies that drive men--and women--to kill. . . . In Libby Hatch, Carr has created a villain whose cunning is nearly equal to his detectives' crime-solving prowess. . . . The mystery is plotted with military precision."
--USA Today
"[A] WHOPPING THRILLER . . . Carr keeps us racing along with him to the very end."
--The Washington Post Book World
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