About the Author:
David Sheppard is a well-respected music journalist. He's written for numerous publications, including Mojo, Q, Uncut and the Observer. He's the author of two previous biographies of Leonard Cohen and Elvis Costello.
From Publishers Weekly:
Sheppard (Elvis Costello and Leonard Cohen) aims to reclaim [Brian] Eno from the Eno nerds who've turned the musician/producer into a cultish figure, and though respectful of his subject's legacy, he rarely succumbs to outright worship. A large chunk of the biography recounts Eno's British art school roots and his first major music gig, as the synthesizer player for Roxy Music, where his flamboyance quickly made him even more prominent than lead singer Brian Ferry. Sheppard writes smartly about Eno's subsequent solo work and his forays into producing albums for artists like David Bowie and Talking Heads and extensive interviews and research bring out captivating backstories: it's worth noting that almost nobody, including Eno himself, thought he'd be a good fit to work with U2, until The Joshua Tree became one of the biggest-selling rock albums of all time. Sometimes, Eno's interesting projects from the last two decades seem to go by in a blur, compared to the in-depth treatment of the first half of his career, and his theoretical pronouncements might bear a little more critical scrutiny. On the whole, though, this is a valuable document of one of late-20th-century pop music's key influencers. (May)
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