The third thriller in the 'Hit' series, a gripping insight into the life of John Keller, stamp collector, chronic worrier - and assassin. . .
New York hit man Keller is a law unto himself, and when a situation goes awry - which despite his best-laid plans it so often does - he makes some surprising decisions . . .
It's not all drudgery in the life of an assassin. Keller's jobs allow him to go to all sorts of sporting events. He even gets to mix his passion for stamp-collecting with a hit on a famous philatelist.
Wisely, Keller always travels for his work. New York is home, and he doesn't want to mess on his own doorstep. But the jobs are drying up, and he needs money. So he breaks the rule - and regrets it. His cover is at risk - he is even followed home - and Keller has to use all his remarkable skill to make sure he can continue doing what he does best.
"synopsis" may belong to another edition of this title.
Lawrence Block is one of the most widely recognized names in the mystery genre. He has been named a Grand Master of the Mystery Writers of America and is a four-time winner of the prestigious Edgar and Shamus Awards, as well as a recipient of prizes in France, Germany, and Japan. He received the Diamond Dagger from the British Crime Writers' Association—only the third American to be given this award. He is a prolific author, having written more than fifty books and numerous short stories, and is a devoted New Yorker and an enthusiastic global traveler.
The prolific and successful Block returns as writer and narrator of another series of yarns about hit man John Keller. Block should not give up his word processor. He's a much better writer than reader. After just a few minutes, his croaky monotone makes you want to shut down the CD for good. But his stories about Keller's adventures are so entertaining in themselves that you plod on. For example, you learn what happens when Keller is hired to kill a millionaire's ferocious dog, which is killing other animals in Central Park. The irony in Block's performance is that once each story is over, Block's voice, in retrospect, doesn't seem all that bad. A.L.H. © AudioFile 2006, Portland, Maine-- Copyright © AudioFile, Portland, Maine
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