It is the aftermath of the Roman occupation of Britain. Kings are now jockeying for position, for title, for land and for power. A young boy confounds the most famous knights of the realm when he pulls a jewelled sword from a cleft in a stone and claims the throne left vacant by the death of Uther Pendragon. In this new vision of the Arthurian story, Camelot is set on the River Tweed and Merlin who disapproves of his knights' yearning for battle and their quest for the Holy Grail. With great humour and energy, Massie has created a bold and original new tale from the stuff of legend.
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Allan Massie is the author of seventeen highly praised novels, as well as several non-fiction works. Born in Singapore, he was brought up in Aberdeenshire and educated at Glenalmond School and Trinity College, Cambridge. He is a Fellow of the Royal Society of Literature and has been a judge of the Booker Prize. He is also a journalist contributing to the national press. He is married, has three children and lives in the Scottish Borders.
In this second volume of his historical trilogy (after The Evening of the World, set in the dying days of the Roman Empire), Massie presents a cheerily erudite deconstruction and retelling of the Arthurian legend. The linear events of the narrative are familiar: as a young boy, Arthur is schooled by Merlin, then claims the throne of England by pulling the sword Excalibur from its stone. Massie's version, however, fashions alternate histories for familiar characters (chronicling, for example, Merlin's wretched childhood and describing the twisted use he makes of his powers) and takes a playful, humorous tone ("Nor was Arthur enamored of mathematics, even though Merlin took great joy in that subject and excelled (as he supposed) in expounding it"). Once crowned king, Arthur is portrayed as a strategist and statesman whose marriage to the Saxon maiden Guinevere is one of convenience; his true love is his half-sister, Morgan le Fay, and he has a fondness for pretty youths (as does Merlin). Similarly, the machinations of the Knights of the Round Table are seen as a series of political maneuvers, particularly when the knights jockey for position as the quest for the Grail begins. Readers looking for the standard heroic take may be disappointed, but those of "a speculative and skeptical turn of mind, which takes nothing on trust or unexamined" will appreciate this bracing chronicle.
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