Michael Crawford is one of Britain's best-loved entertainers, with roles as varied as the hapless accident-prone Frank Spencer in the 1970s sitcom Some Mothers Do 'Ave Em, and the menacing creature of the night in Andrew Lloyd Webber's 1980s smash-hit musical The Phantom of the Opera. It's hard to believe that the ever-youthful thespian has been in the profession for over 40 years, when a lead role in the school production led him swiftly to become a fully-fledged teenage actor. Parcel Arrived Tied With String (the unusual title refers to the telegram announcing his birth) is Crawford's warm, engaging autobiography, from the early years with his mother and grandmother ("from the very beginning there didn't seem to be a time when I wasn't surrounded by women"), to the hard slog of stage work and film acclaim in the 1960s with A Funny Thing Happened On The Way To The Forum, How I Won The War, and The Jokers to name but a few.But it is three very different roles that made Crawford's name and for which he will be best the classic comedy of idiotic Frank Spencer, black beret set jauntily at an angle as he finds himself caught up in yet another hair-raising adventure (it comes as no surprise that Crawford, a true professional, did all his own stunts), the unicycling showman of Barnum (another gruelling physical schedule), and the masked misfit who just wants to be loved in the phenomenally successful stage version of The Phantom of the Opera, which revealed Crawford's tireless energy as a performer and showcased his powerful singing voice. Parcel Arrived Safely is an unselfconscious, generous memoir, full of hilarious anecdotes and starstruck encounters. It provides an excellent overview of growing up in post-war suburbia and of British comedy in the 1960s and 70s, and above all Crawford shows that his stability and focus come from the support of his late mother and grandmother, his ex-wife and their two daughters. "My mother used to tell me I had St Vitus's dance" he writes, "the truth is I was hyperactive, always running, always busy, taking things apart, putting them together; always imagining and inventing; endlessly competing, challenging, and questioning." What better way to describe Michael Crawford. --Catherine Taylor
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This is the long-awaited autobiography of one of Britain's best-loved and most internationally successful actors. By turns funny, charming, and poignant, here is Michael Crawford's vivid account of his war-torn childhood of a loving mother, violent stepfather, and the painfully revealed truth about his absent father. His early memories include being taught to sing by the great composer Benjamin Britten, and later, when he entered show business, his friendships with David Hemmings, John Lennon, and Oliver Reed. There are also stories of Crawford "making a fool of himself" in front of idols Gene Kelly and Barbra Streisand while filming "Hello Dolly." Starring in "Barnum" and "The Phantom of the Opera," Crawford became a huge international star, but this engaging memoir rarely strays from the honest and self-deprecating qualities that have endeared him to his many fans.
Crawford began his professional career as a boy soprano in Benjamin Britten's Let's Make An Opera. He became the popular star of Not So Much a Programme, More a Way of Life and starred in The Knack. He juggled film and stage careers, appearances including Hello Dolly!, the long-running comedy No Sex Please - We're British and the 70s TV comedy Some Mothers Do 'Ave 'Em - which is still running around the world. He starred in, among many other things, the John Barry hit musical Billy, the 1981 hit Broadway musical Barnum and the widely acclaimed Phantom of the Opera. More recently, he appeared in Andrew Lloyd Webber's The Woman in White in London's West End. His solo recording career began in 1992 and his three albums have all been huge runaway successes earning him gold and platinum discs. He has been awarded many honours including the OBE.
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