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As both possibilities grow increasingly likely, and the Museum risks ridicule, its director deputizes Waring Smith to transport the mummy's doll to an incorruptible expert. Too bad if Professor Semyonov is in Russia: this junior officer will simply have to smuggle the toy in! Suffice it to say that Waring's covert odyssey to Moscow is but one of The Golden Child's many witty--and enigmatic--episodes. Near the Kremlin, he comes upon a line that makes him think he's back at work. The citizens, though, have assembled for another mummy altogether:
The park statues were covered with shrouds of straw to protect them against the cold, but the human beings stood there, wiping the frozen drops from noses and eyelashes, waiting with immemorial patience to see what they had been told was worth seeing. In an hour and a half they would be filing past the embalmed head and hands, and the ghastly evening dress suit, of Lenin.On the surface, Fitzgerald's 1977 novel is a bona fide mystery, complete with a body in the library and a spot of garroting. But adepts of this author will prize it for its pixilated cast of characters and for its gentle, perfect assaults on pretension--whether academic, journalistic, or even gustatory. As ever, Fitzgerald is drawn to explore the power--and sheer inconvenience--of the emotions. No wonder The Golden Child's mysteries go so far beyond those of its genre. --Kerry Fried
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