Selected from the entire body of Algernon Blackwood’s work, this collection contains some of his finest writing. Blackwood’s ability to create and sustain an atmosphere of unrelieved horror is witnessed in ?The Willows’, a starkly terrifying tale of another dimension impinging on our own. In contrast, ?The Other Wing’, is a chilling but delicate evocation of the mysteries of childhood. Mysticism and cosmic experiences feature, as well as the more traditional elements of the horror story. Best Ghost Stories of Algernon Blackwood reveals why Blackwood is celebrated as the twentieth century’s foremost British writer of supernatural fiction.
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"If a ghost is seen, what is it interests me less than than what sees it?" Thus Algernon Blackwood describes his fascination with human beings' ability to sense invisible powers and stirrings in the universe, a fascination he developed most famously in his stories about mystical, ineffable encounters with nature. This collection, selected by renowned scholar of the supernatural, E. F. Bleiler, is an excellent sample of Blackwood's work, including 12 of his best ghost stories and a crime story as well. Blackwood is acknowledged today as the author who made the ghost story into a respectable literary form.
A woman of snow . . . a midnight caller keeping his promise . . . forests where Nature is deliberate and malefic . . . enchanted houses . . . these are the beings and ideas that flood through this collection of ghost stories by Algernon Blackwood (1869-1951). Altogether thirteen stories, gathered from the entire corpus of Blackwood's work, are included: stories of such sheer power and imagination that it is easy to see why he has been considered the foremost British supernaturalist of the twentieth century.
Blackwood's ability to create an atmosphere of unrelieved horror and sustain it to the end of the story is almost unsurpassed. "The Willows"—which has been called by H. P. Lovecraft the finest supernatural story—is a typical example of Blackwood's art: slowly and surely Blackwood draws the reader into a world of shadows, nuances, and unearthly terror.
Blackwood was also a master at evoking feelings of mysticism and cosmic experience; dealing with such ideas as interpenetrating levels of existence and pantheistic elemental powers, he expanded the content of supernatural literature enormously. But even the more traditional elements of horror stories such as ghosts and haunted houses are handled with such energy and feeling that they rise far above their predecessors.
Drawing on serious Oriental thought, modern psychology, and philosophy, Algernon Blackwood introduced a sophistication to the horror story that—with few exceptions—it was devoid of before. The results are stories that are not only guaranteed to chill, but stories that have something to say to the intelligent reader.
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