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Stephen Baxter was born in Liverpool, England, in 1957. He holds degrees in mathematics, from Cambridge University; engineering, from Southampton University; and business administration, from Henley Management College. He���s a Chartered Engineer and Fellow of the British Interplanetary Society.
His first professionally published short story appeared in 1987. He has been a full-time author since 1995 and is currently Vice-President of the British Science Fiction Association.
His science fiction novels have been published in the UK, the US, and in many other countries including Germany, Japan, France. His books have won several awards including the Philip K Dick Award, the John Campbell Memorial Award, the British Science Fiction Association Award, the Kurd Lasswitz Award (Germany) and the Seiun Award (Japan) and have been nominated for several others, including the Arthur C Clarke Award, the Hugo Award and Locus awards. He has also published over 100 sf short stories, several of which have won prizes. He can be found at stephen-baxter.com.
MGM's sf thriller Forbidden Planet (1956), about the search for an expedition lost on a hazardous planet, has been the model for a cottage industry's worth of TV series and movies. Any show featuring a starship, a captain, and crew--particularly Star Trek and its many spin-offs--owes a debt to the Shakespeare-inspired motion picture. For the fiftieth anniversary of the movie's premiere, editor Crowther solicited 12 new stories set on other treacherous planets humans would have more wisely avoided. Ray Bradbury introduces the volume with the twin revelations that he declined writing FP's screenplay and would have exterminated its famous robot, Robby, if he hadn't. Jay Lake's story offers an alternate "forbidden" plotline based on King Lear instead of the movie's template, The Tempest, while Matthew Hughes' dissects a forbidden and deadly alien plant instead of a planet. Other notable contributions come from Ian McDonald, Michael Moorcock, and space-opera specialist Stephen Baxter, who gives a penetrating analysis of the film's enduring influence on his own work as well as his chosen genre. Carl Hays
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