Lending his name to the term
sadism, and synonymous with pornography and sexual perversion, the infamous Marquis de Sade was inarguably mad, bad, and dangerous to know. But the very qualities that were repellent in the man make for fascinating reading in Francine du Plessix Gray's biography,
At Home with the Marquis de Sade. The pitfalls of writing about such a scandalous subject are obvious: Sade is so completely associated in the modern mind with extremely degrading sexual escapades that any book about him risks being tarred with the same prurient brush--how
does one discuss the Marquis without mentioning such loaded topics as whipping, sodomy, masturbation, blasphemy, or orgies, for example? The answer is, one doesn't; but Gray's focus in this biography is less on Sade's sexuality than on his relationship with the two most influential women in his life: his wife, Pélagie, and his mother-in-law, Madame de Montreuil.
It seems even a sadist can love, and in his own way, the Marquis de Sade loved his wife. Even more remarkable is that Pélagie apparently returned his affection devotedly for many years, despite frequent scandals, jailings, and even an affair with her own sister. Gray draws extensively on letters written by Sade, his wife, and his mother-in-law to paint a vibrant picture of an unorthodox marriage, a period of great political upheaval, and a complicated bond between mother and daughter. Gray also places the Marquis's writing in a context that, while forthrightly characterizing it as "the crudest, most repellent fictional dystopia ever limned, the creation of a borderline psychotic whose scatological fantasies have grown all the more deranged in the solitude and rage of his jail cell," also acknowledges its "recklessness and daring" as well as its influence on later writers from Swinburne and Baudelaire to Octavio Paz and Luis Buñuel. Sex, art, religion, and politics--At Home with the Marquis de Sade addresses them all with the intelligence and insight one has come to expect from Francine du Plessix Gray.
Despite his manic promiscuities and a conspicuous gift for generating catastrophe, the Marquis de Sade was, according to Gray, a happily married man. In 1990 the monstrous Sade's literary stock rose inestimably. Gallimard, the famous French publishing house, issued a two-volume set of his works in its prestigious series of classics, Bibliothque de la Pliade. Now a very fine biographer has turned her attentions to Donatien Alphonse Franois, Marquis de Sade (17401814). Gray is a woman of already substantial reputation as a novelist and journalist who established her credentials as a biographer with her excellent study of Flaubert's lover, Louise Colet (Rage and Fire, 1990). Of course, many scholars have worked assiduously at Sade's biography over the years, and Gray doesnt claim to offer fresh discoveries. However, she can claim to offer fresh insight. The angle of vision she develops in her version of his life is that of Sade's relationship with his devoted and loving and interestingly ordinary wife, Plagie, and their family. For his part, Sade seems also to have been devoted to Plagie, in his own odd way. Often prosecuted and publicly vilified for his sexual excesses (which are not nearly so bad as those he depicts in his fiction, but which remain sufficiently disgusting), Sade could always count on the support of his Plagie. The people who knew ``Donatien'' well, his biographer suggests, ``detected a secret gentleness in him, something like a hidden stream of sweetness flowing through the heart of his being, which may well have been the secret of his terrible charm.'' Plagie's energetic husband will not win many admirers, but his life makes quite a story. Gray's sharp and vivid prose, together with her skills as a storyteller, give this biography its edge over the scholars whose works have preceded it. -- Copyright ©1998, Kirkus Associates, LP. All rights reserved.