Synopsis
Everyone knows the name Ralph Lauren. Many people know that he was born Ralphie Lifshitz. But not even Lauren himself knows the extraordinary history of his ancestry. And until now, no one really knew how this pint-size nebbish rose from the Jewish ghetto of the Bronx and turned himself from a yarmulke-topped yeshiva boy into the world's leading purveyor of old-money-WASP style. Genuine Authentic is that story.
Horatio Alger, step aside. Lauren, the descendant of generations of eastern European rabbis, is the embodiment of modern ambition. He stands as a symbol of the awesome rewards of self-invention - and not just because he turned a talent for designing ties into a ten-billion-dollar international business. He also demonstrates how precarious success is, how hard a road life can be even for the driven.
Lauren is considered by many to be a phony and a copycat. Yet even though he made up his name and nearly went bankrupt trying to live up to it, he can't be dismissed as a mere fake. His products have revolutionized the way almost everything is sold and the way great brands are built. Like Henry Ford and Walt Disney, he's also a real American authentic. And his business is a stunning American success.
There are at least two Ralph Laurens. To the public he's a gentle, modest, yet secure and purposeful man. Inside the walls of Polo Ralph Lauren, though, he's seen by some as a narcissist, an insecure ditherer, and at times a rampaging tyrant.
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About the Author
Michael Gross is the author of Unreal Estate: Money, Ambition, and the Lust for Land in Los Angeles as well as Rogues’ Gallery, 740 Park, Genuine Authentic, and Model. A contributing editor to Travel + Leisure and columnist for Crain’s New York Business, he has been a columnist for the New York Times, New York, and GQ, and a contributor to Vanity Fair, Esquire, Gawker, The Huffington Post, and other publications around the world.
From Publishers Weekly
Like his previous book, Model, Gross's new work will undoubtedly be mined for the more gossipy nuggets embedded in his meticulous research and artful prose. This is a shame, because the crackerjack journalist simultaneously tells a compelling story and gives it meat enough to be satisfying. It does help, however, that his subject is intriguing enough to fill multiple volumes. Lauren (ne Lifshitz) embodied a certain kind of American dream from early childhood, a kid who didn't just want to be rich, but to be of the rich, a Jay Gatsby made manifest who didn't have a penny, but fantasized about expensive cars, lush vacation spots and preppy girls in loafers. Gross details Lauren's story chronologically, and with a resolute pace: the icon's tale of ambition and meteoric rise unfolds smoothly as the awkward Jewish boy grows into the personification of grim determination. Gross provides surprisingly little commentary, given the book's slightly bitter introduction about Lauren's ping-ponging relationship to the project. What Gross does offer is a rich portrait not just of Lauren, but of the Bronx in the early and mid-20th century, the type of class clash that transcends time or place and the effects of ambition on a teenager who hates his name and burns with desire whenever a Rolls-Royce cruises by. There are passages that will delight the celebrity-obsessed, but the full story is much richer. Most importantly, and delightfully, Gross delivers a portrait of a man who's constructed a flawless image, but whose real self is far more fascinating and deeply human. Photos.
Copyright 2003 Reed Business Information, Inc.
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