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Now, however, Hugh is on his deathbed, and Jamie has returned to Ayrshire to make peace with the old man. Not surprisingly, he also finds himself reckoning with the shadow of his father--a brutal drunk who managed to alienate three generations of the family in one go. As its title suggests, O'Hagan's novel is primarily a meditation on paternity, which in Scotland, anyway, seems to amount to the kiss of death:
In my father's anger there was something of the nation. Everything torn from the ground; his mind like a rotten field.... Our fathers were made for grief. They were broken-backed. They were sick at heart, weak in the bones. All they wanted was the peace of defeat. They couldn't live in this world. They couldn't stand who they were.To his credit, Jamie can hardly stand who he is, either: he senses that grief and weakness aren't merely national conditions but human ones. And as Andrew O'Hagan's mouthpiece, he attains some splendid rhetorical heights. Yet his voice gets muffled, and sometimes silenced entirely, by the author's multigenerational ambitions. There are too many Bawns in this novel, too many tales, and too many miserable transactions between father and son. O'Hagan's prose is perhaps worth the price of admission. Yet Our Fathers, like the Scots communities that Jamie so explosively reshapes, is itself a victim of excessive sprawl. --James Marcus
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Book Description Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. Harcourt, Brace and Company Solid binding. Moderate edgewear on the boards. Please note the image in this listing is a stock photo and may not match the covers of the actual item. Book. Seller Inventory # 123719780