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Wiseman, Adele Crackpot: A Novel ISBN 13: 9780771098512

Crackpot: A Novel - Softcover

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9780771098512: Crackpot: A Novel

Synopsis

Hoda, the protagonist of Crackpot, is one of the most captivating characters in Canadian fiction. Graduating from a tumultuous childhood to a life of prostitution, she becomes a legend in her neighbourhood, a canny and ingenious woman, generous, intuitive, and exuding a wholesome lust for life.

Resonant with myth and superstition, this radiant novel is a joyous celebration of life and the mystery that is at the heart of all experience.

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About the Author

Adele Wiseman was born in Winnipeg, Manitoba, in 1928. She graduated from the University of Manitoba in 1949 and then, to support her commitment to writing, found employment as a social worker in England, a school teacher in Italy, and executive secretary to the Royal Winnipeg Ballet.

In her first novel, The Sacrifice, which won the Governor General’s Award, Wiseman recreates, through the lives of Jewish immigrants in a Central Canadian city, the biblical story of Abraham and Isaac. All her writings bring into Canadian literature the culture and the tradition of her Jewish heritage.

In Old Woman at Play, an illustrated account of her mother’s doll-making, Wiseman explores and meditates on artistic creativity.

Adele Wiseman died in Toronto, Ontario in 1992.

From the Inside Flap

Hoda, the protagonist of Crackpot, is one of the most captivating characters in Canadian fiction. Graduating from a tumultuous childhood to a life of prostitution, she becomes a legend in her neighbourhood, a canny and ingenious woman, generous, intuitive, and exuding a wholesome lust for life.

Resonant with myth and superstition, this radiant novel is a joyous celebration of life and the mystery that is at the heart of all experience.

Excerpt. © Reprinted by permission. All rights reserved.

Out of Shew. Bed and Golda came Rahel Out of Malka and Benyamin came Danile, Out of Danile and Rahel came Hoda, Out of Hoda, Pipick came, Pipick born in secrecy and mystery and terror, for what did Hoda know?

In the daytime her frail and ever-so-slightly humpbacked mother, or so they described her to blind Danile before they rushed them off to be married, used to take Hoda along with her to the houses where she cleaned. And partly to keep her quiet, and partly because of an ever-present fear, for she felt that she would never have another child, Rahel carried always with her, in a large, cotton kerchief, tied into a peasant-style sack, a magically endless supply of food. All day long, at the least sign of disquiet, she fed the child, for Hoda even then was big-voiced and forward, and sometimes said naughty things to people. Rather than risk having an employer forbid her the privilege of bringing the little girl to work, Rahel forestalled trouble. Things can’t go in and out of the same little mouth simultaneously.

Hoda for her part enjoyed eating. She was on the whole a good-natured child. Even in the moments when her jaws were unwillingly at rest she was content to let her flecked ashgrey eyes linger contemplatively on the yellow and white dotted kerchief sack for what she felt were long periods of time while she restrained herself from disturbing her mother at her work. When at last she could refrain no longer, for she was only a child after all, Hoda would give vent to a surprisingly chesty contralto. “Ma-a-a,” she would rumble, “Maa-a-a-a-ah!”

Rahel would rise quickly from her knees, wipe her hands, untie the kerchief, and give her daughter another little something to chew on. It amused some of her employers to see this continuous process, and they entertained themselves by feeding the child too, just to be able to comment, in what Rahel mistook for admiration, on how much she could put away. Hoda herself never refused these gifts of food, though there was something of aloofness, even of condescension, in her acceptance, as there is with some zoo animals that people feed for their own amusement. It was as though in allowing them to play their game she was not necessarily accepting their terms of reference. Occasionally a woman with kindly intentions would scold Rahel for letting her little girl get so fat. Rahel misinterpreted the kindly intentions and resented these critics who wanted her to deny her child. She saw in it simply another sign that it is the way of the rich to deny the poor, and continued to make sure that her child was bigger and more beautiful every day. Why else does a mother crawl on her knees in the houses of strangers?


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Adele Wiseman
Published by New Canadian Library, 1989
ISBN 10: 0771098510 ISBN 13: 9780771098512
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Wiseman, Adele; Laurence, Margaret [Afterword]
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