Emily Carrā€™s journals from 1927 to 1941 portray the happy, productive period when she was able to resume painting after dismal years of raising dogs and renting out rooms to pay the bills. These revealing entries convey her passionate connection with nature, her struggle to find her voice as a writer, and her vision and philosophy as a painter.
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Young, spirited and rebellious, Emily Carr escaped a strict Victorian household to study art in the Paris of Picasso and Matisse. In middle age, she shook the dust of acceptable society from her shoes and began a passionate journey into the wilderness of British Columbia; the power of her genius made her one of the twentieth century's great painters. Fortunately, she also wrote. In her books, her warmth, her humanity, her sense of fun and the ridiculous combine to present a self-portrait of a remarkable woman and artist. -- Mary Pratt
"For the long-limbed trees and watery landscape of Vancouver Island, read Hundreds and Thousands. Setting aside, who can resist a woman who lived in a caravan in Goldstream Park with a pack of dogs and a monkey and shunned the human race except to attend her own art openings? Only a genius could both paint and write my/her home." (Marjorie Celona Globe and Mail 2013-06-29)
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