They trod the boards when to do so was not entirely respectable, yet how they portrayed Irish womanhood closely reflected the perception of the Irish about themselves as they swept from the Catholic Emancipation to the very real idea of becoming a free state. Ritschel (humanities, Massachusetts Maritime Academy) takes a nationalist and socialist reading of Irish theater, focusing on the images crafted by Yeats, Gonne, Synge, Fay, Nic Shiubhlaigh, the Allgoods and O'Casey. He works from the times when a new image of Irishness was wresting itself from a archetype of victim and into the concept of national resilience and self-determination, with the latter authors helping to form the representation Ireland consciously wished to present of itself as complex, historically in touch, literate, transcendent, tough yet tender. Annotation ©2007 Book News, Inc., Portland, OR (booknews.com)
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Nelson O'Ceallaigh Ritschel is Associate Professor at Massachusetts Maritime Academy.
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Hard Cover. Condition: Near Fine Plus. First Edition. cloth, hard cover, illustrated boards., no flaws or wear. clean. no text or exterior markings. no bumps. strong binding.v-206pp., five b/w illustrations. this copy is inscribed and signed by the author on the title page. a letter from the author to the prior owner is laid-in, as is a photo-copy of an article by the author that is related to the book's subject and that appeared in a scholarly journal. Size: 8vo - over 7¾" - 9¾" tall. Signed by Author. Seller Inventory # 20163
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