Finalist: Raymond Klibansky Book Prize Humanities and Social Sciences Federation of Canada (2008) Making a connection between photography and memory is almost automatic. Should it be? In Scissors, Paper, Stone Martha Langford explores the nature of memory and art. She challenges the conventional emphasis on the camera as a tool of perception by arguing that photographic works are products of the mind - picturing memory is, first and foremost,...
Martha Langford is the author of Suspended Conversations: The Afterlife of Memory in Photographic Albums and the editor of Image & Imagination.
"Langford advances an uncommonly rich conception of memory, and Scissors, Paper, Stone is an important contribution to the growing scholarship on Canadian photographic art." TOPIA
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