American Zombie Gothic: The Rise and Fall (and Rise) of the Walking Dead in Popular Culture (Contributions to Zombie Studies) - Softcover

Book 2 of 26: Contributions to Zombie Studies

Bishop, Kyle William

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9780786448067: American Zombie Gothic: The Rise and Fall (and Rise) of the Walking Dead in Popular Culture (Contributions to Zombie Studies)
Softcover
ISBN 10: 0786448067 ISBN 13: 9780786448067
Publisher: McFarland & Company, 2010

Synopsis

Zombie stories are peculiarly American, as the creature was born in the New World and functions as a reminder of the atrocities of colonialism and slavery. The voodoo-based zombie films of the 1930s and '40s reveal deep-seated racist attitudes and imperialist paranoia, but the contagious, cannibalistic zombie horde invasion narrative established by George A. Romero has even greater singularity. This book provides a cultural and critical analysis of the cinematic zombie tradition, starting with its origins in Haitian folklore and tracking the development of the subgenre into the twenty-first century. Closely examining such influential works as Victor Halperin's White Zombie, Jacques Tourneur's I Walked with a Zombie, Lucio Fulci's Zombi 2, Dan O'Bannon's The Return of the Living Dead, Danny Boyle's 28 Days Later, and, of course, Romero's entire "Dead" series, it establishes the place of zombies in the Gothic tradition.

"synopsis" may belong to another edition of this title.

About the Author

Kyle William Bishop is a professor of English and film studies and serves as the English department chair at Southern Utah University in Cedar City, Utah. He has presented and published on a number of zombie-related texts and has authored two monographs with McFarland.

From the Back Cover

Zombie stories are peculiarly American, as the creature was born in the New World and functions as a reminder of the atrocities of colonialism and slavery. The voodoo-based zombie films of the 1930s and '40s reveal deep-seated racist attitudes and imperialist paranoia, but the contagious, cannibalistic zombie horde invasion narrative established by George A. Romero has even greater singularity. This book provides a cultural and critical analysis of the cinematic zombie tradition, starting with its origins in Haitian folklore and tracking the development of the subgenre into the twenty-first century. Closely examining such influential works as Victor Halperin's White Zombie, Jacques Tourneur's I Walked with a Zombie, Lucio Fulci's Zombi 2, Dan O'Bannon's The Return of the Living Dead, Danny Boyle's 28 Days Later, and, of course, Romero's entire "Dead" series, it establishes the place of zombies in the Gothic tradition.

From the Inside Flap

Zombie stories are peculiarly American, as the creature was born in the New World and functions as a reminder of the atrocities of colonialism and slavery. The voodoo-based zombie films of the 1930s and '40s reveal deep-seated racist attitudes and imperialist paranoia, but the contagious, cannibalistic zombie horde invasion narrative established by George A. Romero has even greater singularity. This book provides a cultural and critical analysis of the cinematic zombie tradition, starting with its origins in Haitian folklore and tracking the development of the subgenre into the twenty-first century. Closely examining such influential works as Victor Halperin's White Zombie, Jacques Tourneur's I Walked with a Zombie, Lucio Fulci's Zombi 2, Dan O'Bannon's The Return of the Living Dead, Danny Boyle's 28 Days Later, and, of course, Romero's entire "Dead" series, it establishes the place of zombies in the Gothic tradition.

"About this title" may belong to another edition of this title.

Publisher
McFarland & Company
Publication date
2010
Language
English
ISBN 10 
0786448067
ISBN 13 
9780786448067
Binding
Paperback
Number of pages
247
Rating
  • 3.68 out of 5 stars
    149 ratings by Goodreads