Not just another book of scales and patterns, this is a method that trains the mind, the ears and the fingers to work in perfect synchronization to respond instantaneously to any given chord progression. This ability is of paramount importance to any musician who wants to improvise in the jazz idiom. Leading jazz players have used this method for years, but this is the first time it has been published in book form. The author offers a comprehensive guide to improvisation on any instrument through chord changes in any key. A great source book for dozens of scales from the traditional major and minor forms to the modal scales used by jazz musicians. Even scales from other cultures Arabian, Balinese, Iranian, Hungarian, can be found here. A must-have for any musician who aspires to improvise with authority.
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Arnie Berle is a seasoned jazz educator with numerous books to his credit. He toured for years as a reed and flute player with many of the leading big bands in the country. Later, upon settling in his home town of New York, he became very active as a freelance musician and teacher. In 1964, with the arrival of the Beatles, Arnie decided to study the guitar. His experience with other instruments, including accordion and vibraphone, gave him a much broader musical perspective of the guitar. In 1975, he began writing interviews and articles for Guitar Player Magazine, culminating in his very popular column Fretboard Basics. He is currently a full-time professor at Mercy College in Dobbs Ferry, New York, and writes a regular column for Just Jazz Guitar Magazine. His name is cited in the International Who's Who in Music.
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