Drop-2 chord forms have been used by guitarists in all musical genres for years. The concept refers to 4-way, closed voicings in root position or any inversion, dropping the second note from the top by 1 octave, hence the term "drop-2". In practice, a nifty guitar harmonic symmetry occurs as drop-2 chords are invariably played on any four successive strings, muting or avoiding the remaining 2 strings. This collection will open up a new world of harmonic possibilities for the beginning to intermediate guitarists, and will shore up the basics and provide added harmonic visualization for the advanced player. Chapter on comping the chord soloing applications are also included. Written in notation and tablature.
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Charles Chapman is a professor in the Guitar Department at Berklee College of Music where he has taught since 1972. He is a versatile jazz guitarist with extensive performing and recording experience. Charles holds a Bachelor's degree from Berklee College and a Master's of Education from Cambridge College. He performed four tunes on the Mel Bay's compilation CD Anthology of Jazz Guitar Solos and all nine solos on the CD that accompanies the text Guitar Solos by George Van Eps (MB94822BCD) and has just released a solo CD titled Come Sunset. Charles has published eight texts with Mel Bay Publications and now performs on a regular basis at guitar shows and jazz festivals internationally. As a music journalist he has interviewed many of the most prominent guitarists in the field and is a frequent contributor to Guitar Player, Acoustic Guitar, Fender Frontline, 20th Century Guitar, Mel Bay's Guitar Sessions®, All AboutJazz, Dowbeat and Just Jazz Guitar magazines with over 400 published articles and reviews. Charles has appeared in concert with such luminaries as: Martin Taylor, Kenny Burrell, Joe Negri Jimmy Bruno, Frank Vignola, John Pisano, Ted Greene, Carol Kaye, Jerry Jemmott and Dwane Dolphin. He is an Artist Endorser for Fender/Guild Corporation and Benedetto Guitars.
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