Ragtime music has a character all its own. While it lends itself ideally to a variety of settings and moods, it always maintains its unique joyful feeling. The banjo is an instrument ideally suited for ragtime. The bright crisp banjo sound truly adds a new dimension to the ragtime feeling. Mel Bay and Roy Smeck have teamed together in arranging a variety of Scott Joplin and some original rags. All of the music contained herein can be played by tenor, plectrum, or 5-string banjo. It is with great pleasure that we present the joyful sound of Ragtime Banjo! Standard notation only.
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Mel Bay was born on February 25, 1913 in the little Ozark Mountain town of Bunker, Missouri. He bought a Sears Roebuck guitar at the age of 13 and several months later played his first gig. (He recalled playing until his fingers were raw!) Mel took up the tenor banjo shortly thereafter and continued to play both instruments. During his teenage years Mel played with a wild assortement of bands and characters in rural Missouri. Perhaps no gig was as strange as the job he landed with, in Mel's words, "a snake oil salesman. This flamboyant peddler would pull his ostentatious Pierce Arrow automobile, complete with steer horns mounted on the grill, into the center of a small, rural town. Mel would sit on the car and play up a storm on the tenor banjo. After a crowd gathered, the peddler took over and began extolling the merits of his wonder elixer. In 1933 Mel Bay moved to St. Louis and began his professional career. He played with numerous local and traveling bands. In addition, he landed staff guitar jobs on several radio stations. Mel fronted his own trio (piano, bass, guitar) and played steadily for 25 years! He was equally adept on most fretted instruments and played mandolin, uke, Hawaiian guitar, tenor and plectrum banjo professionally. While Mel was actively pursuing his playing career, he continued to teach as many as 100 students a week. He decided to begin writing instructional materials due to the difficulty encountered by guitarists at playing good sounding chord forms in rhythm sections and due to the poor note reading ability prevalent among guitarists. After the war Mel was asked to write instructional materials on guitar for GI's wanting to learn music under the GI Bill. In 1947 Mel formed his own publishing company and wrote his landmark initial book titled The Orchestral Chord System for Guitar. (This book is still in print under the title Rhythm Guitar Chord System and continues to be one the finest rhythm guitar chord texts available!) His Modern Guitar Method was penned shortly thereafter. For years Mel traveled from town to town talking to guitar teachers and players and showing them his publications. At one time Mel claims to have known virtually every guitar teacher in America on a first name basis! The guitar and Mel Bay books caught on in a big way in the 1950's. Things have continued to grow ever since.
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Seller: Revaluation Books, Exeter, United Kingdom
Paperback. Condition: Brand New. 32 pages. 11.50x8.60x0.30 inches. In Stock. Seller Inventory # zk0786678097
Quantity: 1 available