From Isaac Asimov, Ray Bradbury, and Arthur C. Clarke to Chelsea-Quinn Yarbro and Roger Zelazny, from science fiction authors worldwide to the directors of sci-fi films for movies like 2001: A Space Odyssey and television series like Star Trek, from the magazines that publish the writers in this exciting and extraordinarily inventive field to the Hugos, Nebulas, and other awards that annually honor them, this encyclopedia offers the most concise, clear, and comprehensive guide currently available to one of fiction's most popular and intriguing genres. In an A-to-Z format, augmented by an ample index and helpful cross-references, this richly informative volume presents science fiction as it appears in film as well as in the print media, including entries on important illustrators, and covers both the modern developments in the field and the classic landmarks. Furthermore, each author entry ends with an "Also see" section that directs readers to related topics, and all entries provide full bibliographies. Equally invaluable is the opening chapter, which gives a brief history of the genre and traces its evolution from origins that long precede the twentieth century.
"synopsis" may belong to another edition of this title.
George Mann works in the book retail industry and edits Ottakar's science fiction magazine. He has had poetry and short stories published and is currently working on a science fiction novel. His favourite author is Peter Hamilton.
From steampunk to space opera to humanist sci-fi, from Arthur Conan Doyle to The Six Million Dollar Man, and from implants to teleportation, George Mann navigates genre-benders, numerous media, neologisms and common terms, thrills, disappointments and traditions in The Mammoth Encyclopedia of Science Fiction. Entries in this comprehensive reference guide include several descriptive and factual paragraphs, cross-references, suggested reading and bibliographic information. Mann, editor of Ottaker's science fiction magazine, defines his variegated, evolving subject (e.g., what differentiates SF from fantasy?) while remaining flexible and forward-thinking.
Copyright 2001 Cahners Business Information, Inc.
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