"Moving and comic at once. . . . Hallucinatory, hilarious, and haunting."--Boston Globe
By turns harrowing and hilarious, this adroitly narrated winner of the Toronto Book Award re-creates the world in the imagination of Thelma. It's a world in which she can escape some of her more painful childhood realities, like those games her father likes to make her play, where he's the boss and she the naughty secretary. And her mother so fiercely favors her younger brother, the cherubic Willy, that Thelma finds herself perpetually in emotional exile. No wonder Thelma asks practically every adult she meets to adopt her.
Along Thelma's bumpy way from a rural English village to Canada to a law degree at Oxford, she meets many potential parents and even makes some friends, but it is with the companions of her fertile imagination--with the scaredy-baby Janawee, moody and timid Ginniger, and big, strong, stoic Heroin--that Thelma finds comfort. With them, too, she loses an already tenuous connection to reality, though ultimately Thelma's spirit and humor prove to be as indomitable as her wit.
"Prickly, unsentimental. . .a portrait of terrible comic humanity."--New York Times Book Review
"Mesmerizing. . . . Lush, visceral prose . . . rings with an authority rarely found in first novels."--Washington Post Book World
"A novel of astonishing power . . . . An instantaneous classic."--Baltimore Sun
"Elegant . . . sings with an almost Victorian delicacy and sophistication."—San Francisco Chronicle
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Camilla Gibb is the author of three novels, numerous short stories, articles and reviews. She was nominated for Canada's highest literary honour, the Giller Prize, and has won the City of Toronto Book Award and the CBC Canadian Literary Award for short fiction. Her books have been published in 19 countries and translated into 15 languages and she was named by the jury of the prestigious Orange Prize as one of 21 writers to watch in the new century.
A crystal-voiced young narrator and the saving grace of humor distinguish Gibb's stunningly assured debut novel (already winner of the Toronto Book Award) from similarly conceived stories about dysfunctional families. Thelma is but five years old when her story begins in the small English village of Little Slaughter. Her mother, a model who resented her pregnancy with Thelma, has a lover who she says is just pretend. Her father holds Thelma over a bridge by her armpits and has her play secretary to his boss, a game that involves French kissing and, later on, worse. It's little wonder, then, that Thelma invents three imaginary friends Ginniger, Janawee and Heroin each with her own function for helping Thelma to cope. When the family moves to Canada, things worsen, and Thelma commences poignantly asking other adults to be her parents. In spite of her horrific childhood, Thelma attends law school and wins a scholarship to Oxford. But psychological fallout from her past including bouts of anorexia and self-mutilation stand in the way of her progress until at last she reclaims the life she should have had all along, finding her own voice. Gibb intimately understands the child's need to reinvent the personal world as normal, however topsy-turvy the reality. The novel has already been compared to Susanna Kaysen's Girl, Interrupted, but it more closely resembles the film Shine. Thelma is a compelling heroine, her tale too well-told and too wide-ranging, both in content and affect, to be pigeonholed as "just another coming-of-age story." Foreign rights sold in the U.K., France, Germany, Italy, the Netherlands and Norway.
Copyright 2001 Cahners Business Information, Inc.
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