When Caryl Chessman appeared on the cover of Time's March 21, 1960 issue, he was the most famous prisoner in America and arguably the best-known in the world. He not only put a face on the issue of capital punishment, he made one of the most remarkable transformations by any American writer. Through access to the papers and letters of his attorneys, George T. Davis and Rosalie Asher, the unpublished manuscripts and papers held by Joseph Longstreth; reminiscences with those who knew him, like Mr. Davis, Mr. Longstreth, his agent and executor; and country music legend Merle Haggard, the first definitive portrait of the enigmatic Caryl Chessman emerges.
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Alan Bisbort lives in Cheshire, CT. He is a writer, editor and researcher who has authored or coauthored 16 books of history, biography, social commentary and poetry and contributed to numerous other books. He has developed a high profile for his weekly political column in the Hartford Advocate and semi-regular commentaries for American Politics Journal. Bisbort has worked for the Library of Congress, on both staff and contract, since 1977 and is currently working with editors there on World War II: A Library of Congress Desk Reference, to be published in 2007 by Doubleday. As a freelance journalist, he is a regular contributor to The New York Times, the Advocate newspapers, Yale Environment Journal, Yale Medicine, Connecticut, American Politics Journal, Hit List, AMP and Ugly Things. His writings regularly appear on the following Web sites: American Politics Journal, Bartcop, Buzzflash, The Smirking Chimp, The Hamster and In These Times. His work has also appeared in The Washington Post, Rolling Stone, American Way, Los Angeles Times, City Paper, Creem, Biblio and Washingtonian.
Caryl Chessman was sentenced to California's death row in 1948 after being convicted as Los Angeles's notorious "Red Light Bandit," who robbed couples in parked cars, on some occasions raping the women. By the time Chessman was executed in 1960, his memoirs had made him an international symbol of the anti–death penalty movement. (Carroll & Graf is simultaneously republishing the first and most popular of those memoirs, Cell 2455, Death Row.) This new biography draws heavily on recently released archives of Chessman's unpublished letters and manuscripts as well as contemporary accounts. While acknowledging that Chessman was "a confirmed criminal," Bisbort (Sunday Afternoon Looking for the Car) argues that he was not the Red Light Bandit, repeatedly attacking his conviction in "a tainted trial in a hostile court" and the authorities' refusal to revisit the case. At times, the spirited defense engages in hyperbole—for instance comparing Chessman to Alexander Solzhenitsyn—rather than just letting the facts of the case make the powerful argument. Still, Chessman's story loses none of its haunting power, and Bisbort's retelling reaffirms its significance in America's quest for social justice. B&w photos. (Oct. 10)
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