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Roe's first entry in a planned series of English horse-racing mysteries isn't exactly a non-starter, but it doesn't belong in the same field as the novels of former champion jockey Dick Francis. The competent if complicated plot involves unidentified, powerful foes employing a variety of violent and underhanded tricks to undermine the success of County View, a racing complex in the Cotswolds (with international ancillary operations) run by ex-jockey turned trainer Jay Jessop and wife, Eva. The Jessops have plenty of their own formidable, wealthy backing, and when it becomes apparent they're being targeted, they take countermeasures almost immediately. The most obvious threat is the entrance of a relatively unknown Irish trainer, Quentin O'Connor, who begins to lure away owners' horses from County View by paying extravagant prices. Nothing illegal in that, but worrisome nonetheless. Worse follows, but Roe (ATouch of Vengeance) fails to ignite his understated narrative, despite his impressive, knowledgeable descriptions of race courses and procedures. (Apr.)
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Someone has it in for horse trainer Jay Jessup and his highly successful County View training operation, which campaigns jumpers throughout England. First an undisclosed buyer purchases several of the yard's best horses for prices their owners can't refuse and gives them to a rival trainer. Then the stable's top rider is lured away to the same rival's operation, followed in short order by an attempt to frame Jessup for doping horses and a series of fires, poisoned horses, and shootings. But who is behind all these shenanigans, and what do they hope to gain? Roe's tightly plotted whodunit keeps us intensely curious, if profoundly in the dark, to the very last chapter. There is plenty of exciting racing, followed by an astonishing number of "celebratory drinks" to keep us amused while the mystery plays out; and when the answers to the central questions of who and why are finally revealed, they prove well worth the wait. Roe's work is neither as engrossing as the genre's late master Dick Francis, nor as gritty as contemporary star Mark Daniel, but it is great fun nonetheless. Dennis Dodge
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