What Is America?: A Short History of the New World Order - Hardcover

Wright, Ronald

Hardcover

ISBN 10: 0786720972 ISBN 13: 9780786720972

Publisher: Da Capo Press, 2008

Synopsis

In the six years since 9/11, as the bush regime has squandered domestic solidarity and international goodwill, many of the archetypes and ideals with which we've traditionally framed the American enterprise now seem endangered, even hollow. This raises the question, has America ever been what it thinks it is? What Is America? goes to the heart of that inquiry. Ranging with dazzling expertise through anthropology, history, and literature, Wright reconfigures our self-perception, arguing that the essence” of America can be traced to the foundations of our history-literally to the collision of worlds that began in 1492, as one civilization subsumed another-and exploring how these currents continue to shape our world.

About this title

About the Author

Ronald Wright's other widely translated works include the highly regarded Time Among the Maya, Stolen Continents, and his novel, A Scientific Romance, a New York Times Book of the Year. He lives in Canada.

Excerpt. © Reprinted by permission. All rights reserved.

Author’s Foreword

What then is the American, this new man?
–Hector St. John de Crèvecoeur, ca. 17761

Whither goest thou, America, in thy shiny car in the night?
–Jack Kerouac, 19572

The argument at the heart of this book – that the New World made the modern world and now threatens to undo it – came to me from the final chapter of my last one, A Short History of Progress, which outlined the long record of collisions between Nature and human nature. Much of What Is America? seeks to understand the rise of the United States from small colony to world power, but I raise the question within a larger context that has been neglected. Modern America – and modern civilization in general – are the culmination of a half-millennium we might call the Columbian Age. For Europe and its offshoots, the Americas really were Eldorado, a source of unprecedented wealth and growth. Our political and economic culture, especially its North American variant, has been built on a goldrush mentality of "more tomorrow." The American dream of new frontiers and endless plenty has seduced the world – even Communist China. Yet this seduction has triumphed just as the Columbian Age shows many signs of ending, having exhausted the Earth and aroused appetites it can no longer feed. In short, the future isn’t what it used to be.

When Stanley Kubrick made the film 2001: A Space Odyssey forty years ago, it did not seem far-fetched to imagine that by the start of this millennium Americans might have a base on the moon and be flying manned craft to Jupiter. After all, only five decades had passed from the first aeroplane to the first space flight. But by the real 2001 there had been no man on the moon since 1972, elderly space shuttles were falling out of the sky, and the defining event of that year – and perhaps of the new century – was not a voyage to outer planets but the flying of airliners into skyscrapers by fanatics.

The question "What is America?" could fill a library and a lifetime. At the beginning of his Eminent Victorians, published in 1918, the eminent modernist Lytton Strachey declared: "The history of the Victorian age will never be written: we know too much about it."3 The wise explorer of the well­papered past, he advised, "will attack his subject in unexpected places . . . he will shoot a sudden, revealing searchlight into obscure recesses, hitherto undivined." I have tried to follow Strachey’s advice. If history was already choked with data ninety years ago, how much more so now.

So this is an eccentric book, seeking the centre by its edges. I spend less time on the broad highways to the Founding Fathers, slavery, the Civil War – already glutted with a thousand books – and more on backroads to Mexico, Peru, the Pequots, the Five Civilized Tribes, the Mormons and the Philippines.

All who delve into American history have to contend with a language of misnomer and condescension: whites are soldiers, Indians are warriors; whites live in towns, Indians in villages; whites have states, Indians have tribes. As the Grand Council Fire of American Indians told the mayor of Chicago in 1927, the school histories "call all white victories, battles, and all Indian victories, massacres. . . . White men who rise to protect their property are called patriots – Indians who do the same are called murderers."4

Then there is the term Indian itself, which some indigenous Americans accept and others dislike. The word seems to commemorate Columbus’s mistaken idea of where he went. America found Columbus. The unknown continents got in the way of his back route to China, and the admiral died in 1506 still believing he had been to islands off the coast of Asia – or, in his less rational moments, of which there were quite a few, to the shores of the Earthly Paradise (a venue revealed to him by its resemblance to a woman’s breast).5 Not for a generation did European visitors begin to grasp the scale and complexity of the new hemisphere stretching north and south to both polar seas. In yet another mistake, they then named it after the unworthy Amerigo Vespucci, described by his latest biographer as a pimp and confidence man.6

It is also true that European notions of "India" and "the Indies" were so vague that "Indian" could mean almost anyone who wasn’t white, black or Chinese; Polynesians, for example, were also called Indians. Most of the current alternatives are flawed, unclear or difficult to use. "Native American" is seldom used outside the United States and, confusingly, was also the name of a white political movement of the nineteenth century. "Aboriginal" has long been associated with Australia. "First Nations" is little known outside Canada and does not work well as an adjective. However, the word nation has rightly been used for (and by) indigenous peoples since early colonial times – in the senses of both ethnic group and polity.

In English, American Indians should really be called "Americans" – as they often were until the eighteenth century. The wholesale takeover of that word by white settlers is a measure of the demographic catastrophe that gave rise to the United States. In this book, when the context is clear, I have restored the term American to its original meaning before the Revolution of 1776. Thereafter I find it impossible to avoid using Indian – especially as the word is embedded in historical sources, treaties and Acts of Congress. I apologize to readers who find the term objectionable.

Any outsider writing about the United States does so in the shadow of a twenty­five­year­old French aristocrat, Alexis de Tocqueville, the self­styled "bird of passage" whose Democracy in America has never been bettered as a broad analysis of the American character and promise.7 I have also drawn on his private travel notes and interviews, published as Journey to America, which are less well known than Democracy but often more revealing.8

In 1831—32 Tocqueville toured the United States on a commission from the French government to study the young nation’s prison system, a duty to which he by no means confined himself. He praised the modern "idea of reforming as well as of punishing the delinquent" but added that he also saw "dungeons . . . which reminded the visitor of the barbarity of the Middle Ages."9 That this observation might stand today for Guantánamo, Abu Ghraib or a number of stateside penitentiaries is typical of the unfading relevance of Tocqueville’s work.

Though a keen observer and inspired extrapolator, Tocqueville was no historian. I mention this now, not to dwell on his flaws but to dispose of them. The Americans, he wrote, "have no neighbours, and consequently they have no great wars, or financial crises, or inroads, or conquest to dread; they . . . have nothing to fear from a scourge which is more formidable to republics than all these evils combined, namely, military glory. . . . Nothing is more opposed to the well­being and the freedom of man than vast empires.”10

No neighbours? Tocqueville meant, of course, no white neighbours. By the lights of his time and class, only white men of standing were true actors in world events. Because he did not see the first Americans, or "Indians," as protagonists in American history, he failed to grasp that America already was an empire – armed, aggressive, expanding before his eyes and presided over by a militarist, General Andrew Jackson.11 President Jackson was the George W. Bush of his day, loved by the gullible, hated by the intelligentsia and dismissed by Tocqueville himself as "a very mediocre man." The young Frenchman was a cautious optimist, and he hoped the presidency of the uncouth and violent general would be an aberration. He therefore failed to look very far into Jackson’s career as an Indian killer and a practitioner of what is now called ethnic cleansing, the Indian Removal of the 1830s.12

Tocqueville’s neglect of the past can also be put down to his youth: like the new republic itself, he fixed his gaze on the future.13 For him, America had begun with its independence from Britain, barely fifty years before his visit. His interest in the formative colonial period went no deeper than skimming a few "histories" written by early Puritan settlers in New England and later books based on those accounts, which were also the reading of Americans he talked to. Like other extreme Protestants in Ulster and South Africa, the Puritans viewed their colonial migration through the lens of the Old Testament, seeing themselves as a chosen people in a Promised Land.14 Tocqueville took those writings at face value, unaware they were religious and racial propaganda obscuring the truth about native societies and native­white relations.15

He therefore missed the importance of the frontier – a westering zone of warfare and cultural exchange since the 1600s – in shaping the settler nation. That insight would await the great American historian Frederick Jackson Turner, who saw that the frontier, which "strips off the garments of civilization," is the key to understanding American cultural patterns that have drifted away from the European mainstream.16 "The wilderness masters the colonist," Turner announced in a lecture at the Chicago World’s Fair in 1893, "Before long he has gone to planting Indian corn and plowing with a sharp stick; he shouts the war cry and takes the scalp in orthodox Indian fashion."17

Although Tocqueville missed Turner’s insight, he did wonder how white America seemed to be having her cake and eating it too: conquering her hinterland yet d...

About this edition

• Publisher: Da Capo Press
• Publication date: 2008
• ISBN 10: 0786720972
• ISBN 13: 9780786720972
• Binding: Hardcover
• Edition number: 1
• Number of pages: 384