Inside these pages lies the bloody epic of liberty, the British Iliad.
The second volume of Simon Schama's A History of Britain brings the histories of Britain's civil wars -- full of blighted idealism, shocking carnage, and unexpected outcomes -- startlingly to life. These conflicts were fought unsparingly between the nations of the islands -- Ireland, England, and Scotland -- and between parliament and the crown. Shattering the illusion of a "united kingdom," they cost hundreds of thousands of lives: a greater proportion of the population than died in the First World War.
When religious passion gave way to the equally consuming passion for profits, it became possible for the pieces of Britain to come together as the spectacularly successful business enterprise of "Britannia Incorporated." And in a few generations that business state expanded in a dizzying process that transformed what had been an obscure, off-shore footnote to Europe's great powers into the main event -- the most powerful empire in the world.
Yet somehow, it was the "wrong empire." The British considered it a bastion of liberty, yet it was based on military force and the enslavement of hundreds of thousands of Africans. In America, the emptiness of British claims to protect "freedom" was thrown back into the teeth of colonial governors and redcoat soldiers, while the likes of Sam Adams and George Washington inherited the mantle of Cromwell.
Simon Schama grippingly evokes the horror of the battle, famine, and plague; the flames of burning cities; the pathos of broken families, with fathers and sons forced to choose opposing sides. But he also captures the intimacies of palace and parliament and the seductions of profit and pleasure. Geniuses like John Milton, Thomas Hobbes, and Benjamin Franklin stalk vividly through his pages, but so do Scottish clansmen, women pamphleteers, and literate, eloquent African slaves like Olaudah Equiano.
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The beginning of the 17th century promised that England's golden age would long outlast its Elizabethan namesake. Within a few years, that promise would end in civil war, political unrest, and international conflict, a period of strife that would last for two centuries, but produce the modern British nation. In this swiftly moving narrative, the second installment in a three- volume companion to the BBC/History Channel television series, Simon Schama examines key events that would utterly change British life: the collapse of monarchy and republic, the establishment of the beginnings of empire, and the ever-wider division between court and country. The wars that accompanied these turns of fortune were, Schama writes, "eminently unpredictable, improbable, and avoidable." With them came the Glorious Revolution, the bloody suppression of religious dissent, the conquest of neighboring kingdoms, and the wide-scale movement of large populations from one place to another--including the deliberate introduction of nearly 100,000 Scots, Welsh, and English settlers in Ireland, which, Schama writes, "utterly dwarfed the related 'planting' on the Atlantic seaboard of North America." Along the way, Schama considers actors major and minor in this tumultuous play, from the unlucky king Charles I to Oliver Cromwell (who "lacked the one essential characteristic for true dictatorship: a hunger to accumulate power purely for its own sake"), from the writer Daniel Defoe to the pragmatic politician Sir Robert Walpole, from William Pitt to the African slaves who peopled Britain's American colonies.
Though understandably rushed and sometimes unfocused, Schama's narrative ably captures Britain's transformation from island outpost to global power. -- Gregory McNamee
Simon Schama was born in London in 1945 and since 1966 has taught history and art history at Cambridge and Oxford and art history at Cambridge, Oxford, and Harvard. He is now university professor at Columbia University in New York. His prizewinning books include Patriots and Liberators; The Embarrassment of Riches; Dead Certainties; Landscape and Memory; Rembrandt's Eyes; and A History of Britain, Volume I He was art critic for The New Yorker for which he won a National Magazine Award. He is the writer/presenter of documentaries for BBC Television, and the next installments of his award-winning, fifteen-part documentary series, A History of Britain, will air on the History Channel in the fall of 2001 and the spring of 2002.
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