From the bestselling author of Shopgirl comes the tender story of a troubled man who finds love, and life, in the most unexpected place.
Daniel resides in his Santa Monica apartment, living much of his life as a bystander: He watches from his window as the world goes by, and his only relationships seem to be with people who barely know he exists. He passes the time idly filling out contest applications, counting ceiling tiles, and estimating the wattage of light bulbs.
It is through Daniel's growing attachment to Clarissa, and to Teddy, that he finally gains the courage to begin to engage the world outside, and in doing so, he discovers love, and life, in the most surprising places.
Filled with his trademark humor, tenderness, and out and out hilarious wordplay, The Pleasure of My Company is a tour de force sure to delight all of Steve Martin's fans.
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Readers expecting something zany, something crudely humorous from Steve Martin's second novel, The Pleasure of My Company, will discover much greater riches. While the book has a sense of humor, Martin moves everywhere with a gentler, lighter touch in this elegant little fiction that verges on the profound and poetic.
Daniel Pecan Cambridge is the narrator and central consciousness of the novel (actually a novella). Daniel, an ex-Hewlett-Packard communiqué encoder, is a savant whose closely proscribed world is bounded on every side by neuroses and obsessions. He cannot cross the street except at driveways symmetrically opposed to each, and he cannot sleep unless the wattage of the active light bulbs in his apartment sums to 1,125. Daniel's starved social life is punctuated by twice-weekly visits from a young therapist in training, Clarissa; by his prescription pick-ups from a Rite Aid pharmacist, Zandy; and by his "casual" meetings with the bleach-blond real estate agent, Elizabeth, who is struggling to sell apartments across the street. But Daniel's dysfunctional routines are shattered one day when he becomes entangled in the chaos of Clarissa's life as a single mother. Taking care of Clarissa's tiny son, Teddy, Daniel begins to emerge from the safety of logic, magic squares, and obsessive counting.
Martin's craftsmanship is remarkable. The tightly packed novella paints rich portraits with restraint and balance, including nothing extraneous to Daniel's world. The book does not try for pyrotechnics but is contented with a Zen-like simplicity in both prose and plot. Avoiding the crushing bleakness of much contemporary fiction, Martin insists through Daniel--a man haunted by horrors of his own making--that there is possibility for compassion, that broken lives can actually be healed. --Patrick O'Kelley
Steve Martin is a celebrated writer, actor, and performer. His film credits include Father of the Bride, Parenthood and The Spanish Prisoner, as well as Roxanne, L.A. Story, and Bowfinger, for which he also wrote the screenplays. He's won Emmys for his television writing and two Grammys for comedy albums. In addition to a play, Picasso at the Lapin Agile, he has written a bestselling collection of comic pieces, Pure Drivel, and a bestselling novella, Shopgirl. His work appears frequently in The New Yorker and The New York Times. He lives in New York and Los Angeles.
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