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Synopsis
Contemporary critical theory is brought to the consideration of caste in the Pańcatantra, one of the best-known cycles of Indian tales.
Every child growing up in India knows the story of the jackal who fell into the vat of blue dye, and discovering the power of his majestic new appearance, declared himself king of the forest. In spite of his pretenses, the jackal, eventually betrayed by his own instincts, was set upon by the other animals. This and many similar narratives are found in the Pańcatantra, the collection of Sanskrit tales for children compiled by a Jaina monk named Pūrabhadra in 1199 CE.
In this book, McComas Taylor looks at the discourses that give shape and structure to the fall of the indigo jackal and the other tales within the Pańcatantra. The work's fictional metasociety of animals, kings, and laundrymen are divided according to their jāti, or "kind." This discourse of caste holds that individuals' essential natures, statuses, and social circles are all determined by their birth. Taylor applies contemporary critical theory developed by Foucault, Bourdieu, Barthes, and others to show how these ideas are related to other Sanskritic master-texts, and describes the "regime of truth" that provides validation for the discourse of division.
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About the Author
McComas Taylor is Head of the South Asia Centre, Faculty of Asian Studies at the Australian National University.
From the Back Cover
Every child growing up in India knows the story of the jackal who fell into the vat of blue dye, and discovering the power of his majestic new appearance, declared himself king of the forest. In spite of his pretenses, the jackal, eventually betrayed by his own instincts, was set upon by the other animals. This and many similar narratives are found in the Pancatantra, the collection of Sanskrit tales for children compiled by a Jaina monk named Purnabhadra in 1199 CE.
In this book, McComas Taylor looks at the discourses that give shape and structure to the fall of the indigo jackal and the other tales within the Pancatantra. The work's fictional metasociety of animals, kings, and laundrymen are divided according to their jati, or "kind." This discourse of caste holds that individuals' essential natures, statuses, and social circles are all determined by their birth. Taylor applies contemporary critical theory developed by Foucault, Bourdieu, Barthes, and others to show how these ideas are related to other Sanskritic master-texts, and describes the "regime of truth" that provides validation for the discourse of division.
"This is a fine piece of scholarship. Nothing like this exists for the Indian folklore tradition. McComas Taylor presents the multifaceted significance of the Pancatantra, which is possibly the most popular book within India. The stories from this collection spread across the world, so this book is also significant for the global study of folktales." -- Patrick Olivelle, translator and editor of The Pancatantra: The Book of India's Folk Wisdom
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