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The period after the Restoration saw an explosion of visual representations of medical subjects. Shrewdly noting that these images both reflected and shaped cultural perceptions, Porter analyzes them for clues about health and sickness, doctors, quacks, and patients, and the relationships between them all.
Perhaps the most interesting chapter in Bodies Politic revolves around the transfer of idioms of sickness and healing to the realm of politics. The use of medical imagery as a tool for satire dates at least to ancient Greece, but as Porter (and several of the book's 137 illustrations) reveals, it became an art form in the 18th century. Twenty-first century political cartoonists have nothing on Cruikshank, Gillray, and Rowlandson.
Though this is a dense book, Porter writes with his usual wit and erudition throughout Bodies Politic. A welcome addition to the scholarly literature on medical, political, and art history. --Sunny Delaney
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