How should a literary scholar approach a text characterized not by stability but by variation and flux? This book offers a radical new perspective on the limits―and the accomplishments―of the modern traditions of textual criticism in classics.
Sean Alexander Gurd takes as his starting point the case of a single Greek tragedy by Euripides, one of his last. According to ancient accounts, the Iphigenia at Aulis was produced at the city Dionysia, the great festival of Athenian tragedy, sometime after Euripides died (between 407 and 405 BCE). Whether the text performed then was entirely the work of Euripides, and whether the version that appears in the manuscripts reflects either that performance or its defunct author's design, are unknown. But since the mid-eighteenth-century the mysteries and conflicting evidence concerning Iphigenia at Aulis have given rise to an array of different attempts to reconstruct the original, and every generation has seen a version of the play that is radically different from those that came before. Gurd pioneers a literary philology comfortable with this textual multiplicity, capable of reading Iphigenias at Aulis in the plural.
Regarding the dossier of successive editions of Iphigenia at Aulis as a symbol for the condition of modern textual reason, Gurd shows lovers of classical literature exactly how contingent the texts they read really are.
"synopsis" may belong to another edition of this title.
"Sean Alexander Gurd reconfigures textual criticism as a field through which some of the most pressing questions in the interpretation of literature can be traced. This transformation of classical philology is achieved in a thorough analysis of what is, without doubt, the most complicated, textually, of all the Greek tragedies, Iphigenia at Aulis. Gurd's groundbreaking analysis shows how the textual criticism of this play provides the basis for what he calls a 'radical philology.' In this approach not only is the invigoration of Classical textual criticism at stake but also the invigoration of Classical literature and the history of its reception."—David S. Ferris, University of Colorado
Sean Alexander Gurd is Visiting Assistant Professor of Classics at the University of Cincinnati.
"About this title" may belong to another edition of this title.
Shipping:
US$ 4.00
Within U.S.A.
Book Description Condition: New. Fine. Cloth, D-j. 2005. Originally published at $43.95. Seller Inventory # W78995b
Book Description Hardcover. Condition: New. Seller Inventory # DADAX0801443296
Book Description Condition: New. . Seller Inventory # 52GZZZ010ENZ_ns
Book Description Hardcover. Condition: new. This item is printed on demand. Seller Inventory # 9780801443299
Book Description Condition: New. New. In shrink wrap. Looks like an interesting title! 0.85. Seller Inventory # Q-0801443296
Book Description hardback. Condition: New. Language: ENG. Seller Inventory # 9780801443299
Book Description Hardback. Condition: New. New copy - Usually dispatched within 4 working days. How should a literary scholar approach a text characterized not by stability but by variation and flux? This book offers a radical new perspective on the limits-and the accomplishments-of the modern traditions of textual criticism in classics. Sean. Seller Inventory # B9780801443299
Book Description HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000. Seller Inventory # FW-9780801443299
Book Description Hardcover. Condition: Brand New. 1st edition. 204 pages. 9.25x6.25x0.75 inches. In Stock. Seller Inventory # __0801443296
Book Description Hardback. Condition: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days. Seller Inventory # C9780801443299