Synopsis
What is the relationship between the cultural artifacts of Renaissance England and the processes of production, exchange, and accumulation through which they were brought into being? Pursuing this question, a group of distinguished scholars from both sides of the Atlantic exemplifies a number of different approaches to the writing of cultural history.
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The Production of English Renaissance Culture
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Cornell University Press, 1994
ISBN 10: 0801482011
ISBN 13: 9780801482014
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The Production of English Renaissance Culture
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ISBN 13: 9780801482014
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The Production of English Renaissance Culture
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Cornell University Press, c.1994,, 1994
ISBN 10: 0801482011
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The Production of English Renaissance Culture
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Cornell University, 1994
ISBN 10: 0801482011
ISBN 13: 9780801482014
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The Production of English Renaissance Culture
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ISBN 10: 0801482011
ISBN 13: 9780801482014
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Condition: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,550grams, ISBN:9780801482014. Seller Inventory # 9168739
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The Production Of English Renaissance Culture
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Cornell University Press, 1994
ISBN 10: 0801482011
ISBN 13: 9780801482014
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Condition: New. 1st edition. Paperback, F. x+326pp, 21 b/w illustrations, index, a nice fine copy. new. A colection of essays on the collection, manufacture and distribution of cultural artifacts in England during the Renaissance. These could be prison records, portraits, literary texts or relics & they illustrate the social & cultural development of England at that time. 500 grams. Seller Inventory # 34166
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The Production of English Renaissance Culture
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ISBN 13: 9780801482014
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The Production of English Renaissance Culture
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ISBN 13: 9780801482014
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paperback. Condition: Sehr gut. 320 Seiten From the library of Prof. Wolfgang Haase, long-time editor of ANRW and the International Journal of the Classical Tradition (IJCT). - very good and clean copy! - What is the relationship between the cultural artifacts of Renaissance England and the processes of production, ex- change, and accumulation through which they were brought into being? Pursuing this question, a group of distinguished scholars from both sides of the Atlantic exemplify a number of different approaches to the writing of cultural history. The nine essays collected here together provide a richly nuanced approach to the idea of cultural production. Whether portraits, relics, prison records, or literary texts, the artifacts discussed are considered in the light of such key factors in sixteenth- and seventeenth-century culture as the business of printing, the slave trade, trials for sodomy and witchcraft, new world colonization, and the intellectual legacy of eidetic metaphysics. Augmented by twenty-one illustrations, the chapters explore the literary implications of social conflict, as well as the ideological dimensions of a culture working through specific institutions to shape knowledge for public consumption. CONTRIBUTORS: Francis Barker. Bruce Thomas Boehrer. Margaret Ferguson. Richard Halpern. Clark Hulse. Christopher Kendrick. Richard Lachmann. Joseph F. Loewenstein. David Lee Miller. Sharon O'Dair. Gordon Teskey. Harold Weber. ISBN 9780801482014 Sprache: Englisch Gewicht in Gramm: 496. Seller Inventory # 1235489
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The Production of English Renaissance Culture
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Ithaca (NY) and London: Cornell University Press, 1994
ISBN 10: 0801482011
ISBN 13: 9780801482014
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Seller: Fundus-Online GbR Borkert Schwarz Zerfaß, Berlin, Germany
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Condition: Sehr gut. 326 p. From the library of Prof. Wolfgang Haase, long-time editor of ANRW and the International Journal of the Classical Tradition (IJCT). - A very good and clean copy. - What is the relationship between the cultural artifacts of Renaissance England and the processes of production, ex- change, and accumulation through which they were brought into being? Pursuing this question, a group of distinguished scholars from both sides of the Atlantic exemplify a number of different approaches to the writing of cultural history. The nine essays collected here together provide a richly nuanced approach to the idea of cultural production. Whether portraits, relics, prison records, or literary texts, the artifacts discussed are considered in the light of such key factors in sixteenth- and seventeenth-century culture as the business of printing, the slave trade, trials for sodomy and witchcraft, new world colonization, and the intellectual legacy of eidetic metaphysics. Augmented by twenty-one illustrations, the chapters explore the literary implications of social conflict, as well as the ideological dimensions of a culture working through specific institutions to shape knowledge for public consumption. Contents: Preface -- Introduction: Criticism and Cultural Production (DAVID LEE MILLER, SHARON O'DAIR, HAROLD WEBER) -- 1 Agons of the Manor: "Upon Appleton House" and Agrarian Capitalism( CHRISTOPHER KENDRICK) -- 2 State, Church, and the Disestablishment of Magic: Orthodoxy and Dissent in Post-Reformation England and France (RICHARD LACHMANN) -- 3 Legal Proofs and Corrected Readings: Press-Agency and the New Bibliography (JOSEPH F. LOEWENSTEIN) -- 4 Bestial Buggery in A Midsummer Night's Dream (BRUCE THOMAS BOEHRER) -- 5 News from the New World: Miscegenous Romance in Aphra Behn's Oroonoko and The Widow Ranter (MARGARET FERGUSON) -- 6 Dead Man's Treasure: The Cult of Thomas More (CLARK HULSE) -- 7 Treasures of Culture: Titus Andronicus and Death by Hanging (FRANCIS BARKER) -- 8 "The picture of Nobody": White Cannibalism in The Tempest (RICHARD HALPERN) -- 9 Allegory, Materialism, Violence (GORDON TESKEY) -- Notes on Contributors -- Index. ISBN 9780801482014 Sprache: Englisch Gewicht in Gramm: 496 Original cloth with gold embossing. Seller Inventory # 1243788
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