How are we to assess the current popularity of period instruments and early-music performance? For musicians and audiences alike, the "historical authenticity" movement has increasingly influenced the performance of classical music. It has given us, claims Peter Kivy, "new and rewarding ways of listening to our musical reportory (as well as silly, vulgar, and unrewarding ones)." He believes that theory now overrules the ear in arguing for and justifying particular aesthetic decisions.
In his customary engaging style, Kivy here mounts a philosophical inquiry into the desirability of using or re-creating historical performance. "Authenticity has become so widely accepted," he writes, "that why it should be accepted has become an unasked, indeed a forgotten question among the converted." In "How to Be Authentic," the first section of his book, he examines four different kinds of authenticity; in the second part, "Why to Be Authentic," he suggests how to evaluate them. Discussing issues that he cares about passionately, Kivy provides ammunition for both camps―those who follow authentic performance practice and those who do not.
It is his hope that this book provides the groundwork for dialogue between mucisians and philosophers. "I look forward to that," he says, "and to being, when it comes, in the thick of things."
"synopsis" may belong to another edition of this title.
Peter Kivy is Professor of Philosophy at Rutgers University. His previous books include Music Alone: Philosophical Reflections on the Purely Musical Experience, also from Cornell.
"About this title" may belong to another edition of this title.
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Paperback. Condition: Very Good. Authenticities: Philosophical Reflections on Musical Performance This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. Seller Inventory # 7719-9780801484803
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Softcover. Condition: Fine. Leichte Risse. In his latest book on the aesthetics of music, Peter Kivy presents an argumentnot for authenticity but for authenticities of performance, includingauthenticities of intention, sound, practice, and the authenticity of personalinterpretation in. Seller Inventory # db484fc1-5420-4559-8748-ad44e3fba16c
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