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9780801485800: Marsden Hartley: The Biography of an American Artist
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"A penetrating biography.... Ludington offers a psychological portrait of an intense, contradictory, scornful, but gentle man who transcended his nineteenth-century roots in Lewiston, Maine, to view Europe as his home and to make a distinctive contribution to modernism."―Kirkus Reviews"Drawing on Hartley's letters and other writings as well as on the correspondence and reminiscences of the artist's friends, Ludington traces the restless career of the painter.... [Hartley] had troubled friendships with some of the most important artists and writers of his day―Gertrude Stein, William Carlos Williams, Fairfield Porter, Eugene O'Neill, Georgia O'Keeffe, and others. His relationship with Alfred Stieglitz, who supported him financially and exhibited his work,... runs like a leitmotif through the book, and indicates Hartley's character―demanding, touchy, often ungrateful but also compelling.... This frank and unsentimental account of a life of contradictions and paradoxes returns one to the artist's paintings with a fresh eye."―Publishers Weekly"Marsden Hartley (1877-1943) had a virtually unique role as a modernist painter. He was notable not only for his powerful canvases but for his poetry and essays. Townsend Ludington's astute portrait of the artist focuses upon his cosmopolitan sensibility in a generation melding modern art with an American tradition of mystical idealism.... Ludington views Hartley as an essential American artist embarked on a spiritual odyssey."―Robert Taylor, Boston Globe

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About the Author:
Townsend Ludington holds the Cary C. Boshamer Distinguished Professorship of English and American Studies at the University of North Carolina, Chapel Hill. His previous books include Seeking the Spiritual: The Paintings of Marsden Hartley, also from Cornell.
From Kirkus Reviews:
A penetrating biography of American painter Marsden Hartley, by Ludington (English and American Studies/Univ. of North Carolina; The Life of John Dos Passos, 1980). Ludington offers a psychological portrait of an intense, contradictory, scornful, but gentle man who transcended his 19th- century roots in Lewiston, Maine, to view Europe as his home and to make a distinctive contribution to modernism. ``His loneliness, his peripatetic nature, his ideas, and the subjects of his paintings all stemmed in part from his homosexuality,'' Ludington argues. Born in 1877 to an English cotton-spinner, Hartley was eight when his mother died--a lethal blow to ``his fragile ego.'' He worked in a shoe factory at age 16, then a marble quarry, moving to New York in 1899 to study art. Through Alfred Stieglitz's 291 gallery, Hartley eventually gained recognition and some success. Almost until his death in 1943, however, he was haunted by poverty and torn between rustic country and charged city, and then between Europe and America. Hartley fell under Germany's spell in 1913 as he found not only avant-garde culture but homosexual experience: Some of his strongest paintings are cubist arrangements of military symbols, inspired in part by a German soldier's death. Later, his passion for his new-found home let him rationalize Nazi oppression in ``murderously dangerous opinions.'' Ludington effectively quotes Hartley's letters, as when the artist speaks of failing to find ``the same convincing beauty'' of Kandinsky's theories in his own work, or of ``the child within me, namely the romanticist, albeit not perhaps a romance of love as of madness for the mountain.'' Though a recognized artist with works in the Museum of Modern Art, a despairing Hartley in 1935 destroyed over 100 paintings and drawings because he couldn't pay storage costs. In such details, Ludington keeps up the pace of the story--looking at the artist's ``mercurial'' inner life in far more depth than at his work. (Fifty-one b&w and 11 color photographs--not seen.) -- Copyright ©1992, Kirkus Associates, LP. All rights reserved.

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  • PublisherCornell University Press
  • Publication date1998
  • ISBN 10 0801485800
  • ISBN 13 9780801485800
  • BindingPaperback
  • Number of pages352
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