The complete works of the early fifth-century Roman writer 42 elegiac fables are rendered into contemporary English verse by noted poet, translator, critic, and journalist Slavitt. The volume also features four new illustrations by artist Neil Welliver. Annotation copyright Book News, Inc. Portland, Or.
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David R. Slavitt, poet, novelist, critic, and journalist, has published more than fifty books. His translations include the Metamorphoses of Ovid, The Fables of Avianus, the & quot;Eclogues& quot; and & quot;Georgics& quot; of Virgil, and Seneca: The Tragedies, Vols. 1 and 2, all available from Johns Hopkins.
Slavitt, translator of Seneca, Ovid and Virgil, here translates 42 fables by the fifth-century Roman writer Avianus into contemporary (perhaps too contemporary) English. A fabulist in the Aesopic tradition, Avianus interpreted such familiar fables as those of the oak and the reed. His translator here admits having first been attracted to Avianus as "a decadent, bumbling fabulist, whose work I could do with one hand tied behind my back." Later, Slavitt came to appreciate the poet's playfulness. Avianus's view of human nature is dark, if not cynical; the fables about animals are more often parables of humanity's greed, cruelty, vanity and stupidity than of its wisdom. In his introduction, Jack Zipes praises Slavitt for his rather free translations ("All the world's dog-chow piled into a dish /cannot begin to assuage the spirit's essential hungers"), claiming that "it is because of Slavitt's poetic license that Avianus can now be appreciated as a 'contemporary' commentator on the 'postmodern condition.' " But the effort to turn Avianus into a postmodern critic can be ill-advised--as in a rendering of "The Fish and the Lamprey" that concludes with a reference to Charlie the Tuna.
Copyright 1993 Reed Business Information, Inc.
Slavitt, a poet and accomplished translator, offers free, witty, and elegant verse interpretations of all 42 Latin elegiac fables by the once-renowned Avianus (c. A.D. 400-430). A pagan witnessing the triumph of Christendom, Avianus directs his sharp gaze at human weakness (sometimes in animal guise); but he is neither bitter nor unsympathetic. His ironies are enhanced by Slavitt's droll humor and the occasional anachronistic allusion. Some fables will be familiar in outline from other incarnations (e.g., "The Wind and the Sun," "The Goose That Laid Golden Eggs," "The Pine and the Bramble Bush"). Many are entirely new to modern readers, however, and all are made original by their clever vernacular style and outlook. More sophisticated and cynical than Aesop, Avianus probes beneath received wisdom to turn up some unexpected morals. Even younger readers might appreciate these "fables with an attitude," graced by impeccable dress and manners.
- Patricia Dooley, MLS, Seattle
Copyright 1993 Reed Business Information, Inc.
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Hardback. Condition: Very Good. "When the word fable is mentioned", writes Jack Zipes in his foreword to this volume, "one automatically thinks of the name Aesop, never Avianus". Nevertheless, the lively and instructive fables of this early fifth-century Roman writer enjoyed significant popularity in Europe throughout the Middle Ages. Now the complete work of Avianus - 42 elegiac fables in all - has been rendered into contemporary English verse by acclaimed translator David Slavitt. The volume also features four new illustrations by the artist Neil Welliver. The fables of Avianus show a world in flux, a topsy-turvy world, in which humour and cunning constitute the only saving grace for humans and, one might add, the poet. While remaining true to the Aesopic spirit of depicting scenes of survival of the fittest in a blunt and candid manner, Avianus is fond of hyperbole and the grotesque, and he skillfully employs his hexameters to bring about an ironic twist that often makes the reader question traditional assumptions. Writing at a time when the Roman world was being transformed by the rise of Christianity, Avianus appears to voice doubt about humankind's ability to deal with change. But Avianus's voice was not a voice of despair. Like Aesop, he shows a clear preference in his fables for learning how to survive and for the underdog. These and other parallels between Avianus's world and our own are all the more striking in the splendid verse translations of David Slavitt. Speaking as clearly to us as he did to his Roman contemporaries, Avianus is once again revealed as a shrewd poet who can unmask hypocrisy and overcome adversity every bit as well as his savvy master Aesop. Seller Inventory # CIN0801846846VG
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