According to conventional wisdom, Italy was not an influential participant in the nationalistic and imperialistic discourses that world's fairs produced in countries such as Great Britain, France, and the United States. In the late nineteenth and early twentieth centuries, however, Italy hosted numerous national and international exhibitions expounding notions of national identity, imperial expansion, technological progress, and capitalist growth.
World's Fairs Italian-Style explores world's fairs in Italy at the turn of the twentieth century in comparison to their more famous counterparts in France, England, and the United States. Cristina Della Coletta demonstrates that, because of its social fragmentation and hybrid history, Italy was a site of both hegemony and subordination - an aspiring imperial power whose colonization started from within. She focuses on two best-selling authors, Emilio Salgari and Guido Gozzano, and illustrates how these authors interpreted their age's 'exposition mentality.' Salgari and Gozzano's exposition narratives, Della Coletta argues, reveal Italy's uncertainties about own sense of national identity, and its belated commitment to Western imperialism.
Of interest to students and scholars of literature, cultural history, and Italian, World's Fairs Italian-Style provides a fascinating glimpse into a hitherto unexplored area of study, and brings to light a cultural phenomenon that played a significant role in shaping Italy's national identity.
"synopsis" may belong to another edition of this title.
‘A welcome contribution both to the literature on international expositions and the study of post-Risorgimento Italian culture and identity.’
(Joshua Arthurs Canadian Journal of History/Annales canadiennes d'histoire)‘Della Coletta’s work is among the best examples of this sort of interdisciplinary project ... The author’s strength is in her ability to make connections among seemingly disparate areas of inquiry, drawing works together to give the reader an idea of the scope of the nineteenth- and early twentieth-centuries’ “exposition mentality.”’
(Anita Angelone Annali d'Italianistica)‘An exquisitely written study.’
(Cynthia De Luca, Quaderni d'italianistica)"About this title" may belong to another edition of this title.
Shipping:
US$ 6.00
Within U.S.A.
Book Description hardcover. Condition: fine. Dust Jacket Condition: fine. Black & white illustrations. x, 351 pages. 8vo, tan cloth, pictorial d.w. Toronto: University of Toronto Press, (2006). A fine copy in a fine dust wrapper. Seller Inventory # 319740
Book Description Hardcover. Condition: Near Fine. Dust Jacket Condition: Very Good. 1st Edition. Near fine hardback copyright 2006; VG+ in VG dj; only defect is small closed tear to bottom front of dj (see photo), else a pristine copy; 351 spotless pages B15. Seller Inventory # ABE-1520013041680
Book Description Condition: Very Good. Dust Jacket Condition: Very Good. 351 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor wear to dust jacket edges. A tight copy. Record # 2230360. Seller Inventory # 2230360
Book Description Hardcover. Condition: As New. Dust Jacket Condition: As New. AS NEW hardcover in AS NEW dust jacket, no marks in text, very clean exterior, appears unused. Seller Inventory # 117230