A history of the experimental theater group that believed there could be no separation between life and art reveals that it was instrumental in creating the New York avant-garde of the 1950s and counterculture of the 1960s.
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The most radical, uncompromising, and experimental group in American theatrical history, The Living Theatre was also the most flamboyant and daring both onstage ad off attracting attention worldwide, violating many of the taboos of culture and government, and unleashing a backlash of arrests, imprisonments, and attempts at suppression.
John Tytell has been a professor of English at Queens College since 1977.
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