“Reminiscent of The Stand and The Passage. Great stuff.”―Stephen King
Nico Storm and his father, Willem, drive a truck filled with essential supplies through a desolate land. They are among the few in the world, as far as they know, to have survived a devastating virus that has swept over the planet. Their lives turned upside down, Nico realizes that his superb marksmanship and cool head mean he is destined to be his father’s protector, even though he is still only a boy.
Willem Storm, though not a fighter, is both a thinker and a leader, a wise and compassionate man with a vision for a new community that survivors will rebuild from the ruins. And so Amanzi is founded, drawing Storm’s “homeless and tempest-tost”―starting with Melinda Swanevelder, whom they rescue from brutal thugs; Hennie Fly, with his vital Cessna plane; Beryl Fortuin and her ragtag group of orphans; and Domingo, the man with the tattooed hand, whom Nico immediately recognizes as someone you want on your side. And then Sofia Bergman arrives, the most beautiful girl Nico has ever seen, who changes everything.
So the community grows, and with each step forward, as resources increase, so do the challenges they must face―not just from the attacks of biker brigands, but also from within. Nico undergoes an extraordinary rite of passage in this brand new world, testing his loyalty to the limits. Looking back later in life, he recounts the traumatic events that led to the greatest rupture of all―the murder of the person he loves most.
Propulsively readable, Fever is a gripping epic of humanity striving for a noble vision against its basest impulses.
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Deon Meyer is the internationally acclaimed, prizewinning author of eleven thrillers, including Icarus, Cobra, Seven Days, and the Barry Award-winning Thirteen Hours. His books have been published in twenty-seven languages. He lives in Stellenbosch, South Africa.
Suddenly the hum of insects ceased.
Something drew my attention, behind my father, down the street. I called to him, in surprise at the unexpected sign of life, and a bit frightened by the furtive nature of the movement. My father looked up at me, following the direction of my gaze, and saw the spectres in the deepening dusk.
‘Get inside,’ he shouted. He stood up, holding the heavy wrench, and ran towards the cab.
I was frozen. The shame of it would eat at me for months, that inexplicable stupidity. I stood motionless, my eyes fixed on the shifting shadows as they coalesced into solid shapes.
Dogs. Supple, quick.
‘Nico,’ my father shouted, with a terrible urgency. He stopped in his tracks, to try to fend the determined dogs away from his child.
After that, everything happened so fast, yet it was also as if time stood still. I remember the finest detail. The despair on my father’s face when the dogs cut him off from the truck, just three metres away. The whirring sound as he swung and swung the massive adjustable wrench. The electrically charged air, the smell of ozone, the stink of the dogs. They dodged backwards to evade the momentum of the deadly spanner, always too agile, just out of reach. But they stayed between him and the truck door, snarling, snapping.
‘Get the pistol, Nico. Shoot.’ Not an order. A terrified plea, as if in that moment my father saw his death and its consequences: his son, lone survivor, stranded, doomed.
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