"synopsis" may belong to another edition of this title.
Michael Tolkin is the author of The Player, Among the Dead, and Under Radar. He wrote the screenplay for the classic Robert Altman film The Player, and directed The Rapture and The New Age.
"Tolkin's understated style and over-the-top characters continue to amaze."
"Mill's antiheroic effort to wring love and meaning from a loveless and meaningless life is heartfelt and cynical."
"The finest novel of Hollywood since The Last Tycoon. I loved It, and when I wasn't laughing aloud, I was rereading it, gasping at the athletics and soul of the thing." -- Jon Robin Baitz
"Lively and freshly biting . . . The Return of the Player is classic satire . . . and with its gimiet eye on today's spiritual weariness and cash frenzy, is very much a novel of this time and moment." -- David Walton
"Poor Griffin Mill--once a mover--is down to his last six million dollars, and that isn't the worst of it in Tolkin's sharply observed sequel to The Player. Tolkin's till got a firm hold on Tinseltown's fluttery pulse."
"This crisp amorality tale boasts enviable verbal energy, thanks to a hectoring omniscient voice that blends the accents of an Old Testament prophet with those of a favor-currying film industry press agent. . . . This is vivid, nasty fun."
"How often do you have to pause, reduced to openmouthed wonder, when reading a novel: You can't believe how true it is, can't believe how funny, can't believe the story is headed where it seems to be heading, can't believe someone alive is actually pulling it off? Not often? Maybe never? Well, here it is. Tolkin did it." -- Stephen Gaghan
"Truly outrageous and actually endearing." -- Sherryl Connelly
"Mr. Tolkin remains Impressive as a scorched-earth social satirist." -- Janet Maslin
"Tolkin himself is a dying breed: among the last of those in Hollywood who move comfortably from big picture to small project, from screenwriting to directing to novel-writing." -- Matthew Debord
"About this title" may belong to another edition of this title.
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