Five years ago, Frank Hauser, then a retired freelance director, and writer Russell Reich, his former student, self-published Notes on Directing in hardcover. It was immediately acclaimed as "a gem-witty and full of insight;" "so sensible, so complete, and so right;" and "amazingly illuminating" by the likes of Judi Dench, Edward Albee, and Terry Teachout. Gathered over Hauser's long career, and polished to a sharp edge by Reich, the 130 "Notes" address a wide range of topics, from "understanding the script" and "defining the director's role" to casting, how to handle a first read-through of a script, rules for rehearsal, how to talk to actors, how to get a laugh, and the key elements of staging. Filled with enduring good advice expressed in assertive, no-nonsense language, and supported with explanatory commentary, insightful quotes and examples, and five valuable appendices, this deceptively slim book has the impact of a privileged apprenticeship to a great master, providing deep insight into the hidden process of creating a live, shared experience. It can be appreciated by everyone from the student aspiring to a directing career to the professional looking for new ideas to the theater-lover wanting insight into the creative process. Indeed, Notes on Directing offers life lessons to all who read it.
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In 1987, British Director Frank Hauser quietly handed twelve pages of typewritten notes to his apprentice, American Russell Reich. The notes—gathered over a long career and polished to a sharp edge—documented the teachings and directions that Hauser shared privately with a host of theatrical and cinematic figures, including Sir Alec Guinness, Richard Burton, Peter O'Toole, Sir Ian McKellen, Dame Judi Dench, Kevin Spacey, and many others who called Hauser their director, mentor, teacher, or boss.
Now, the former student has expanded and enhanced his mentor's private notes into a book-length format suitable for anyone searching for the timeless gems of the director's craft. Drawing on years of training, decades of experience, and the distilled wisdom of leading practitioners, "Notes on Directing" is filled with enduring good advice expressed in assertive, no-nonsense language. More than a "how-to," this is a tool for directors looking to better translate the page to the stage -- or to the screen. With one hundred and thirty directives supported with explanatory commentary, helpful examples, and rare quotes, this deceptively slim volume has the impact of a privileged apprenticeship to a great master.
Whether you are a student or a professional, a playgoer, moviegoer, or enthusiast, Notes on Directing provides a thrilling glimpse into the hidden process of creating a live, shared experience.
Frank Hauser, now deceased, formed the Meadow Players at Oxford University in 1956 and served as Director of Productions at the Oxford Playhouse for seventeen years, during which many of his productions were seen in London and New York. In 1968 he received the award of Commander of the British Empire (C.B.E.), one of the most prestigious honors granted by the Queen. Russell Reich is a creative director and lives in New York. He served as Visiting Artist in Residence at Harvard University, Artistic Associate at the Circle Repertory Company in New York, and was a member of the Circle Rep Director's Lab.
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