The book opens with a discussion of concepts that relate intelligence and race (particularly those that figure in the controversial bestseller The Bell Curve); it then describes “scientific” theories of Jewish superior intelligence that were developed in the nineteenth and early twentieth centuries. Gilman explores the reactions to those theories by Jewish scientists and intellectuals of that era, including Sigmund Freud, Ludwig Wittgenstein, and Hugo von Hofmannsthal. The conclusion turns to how such ideas figure in modern novels and films, from F. Scott Fitzgerald’s The Last Tycoon to Stephen Spielberg’s Schindler’s List and Robert Redford’s Quiz Show.
Gilman demonstrates how stereotypes can permeate society, finding expression in everything from scientific work to popular culture. And he shows how the seemingly flattering attribution of superior intelligence has served to isolate Jews and to cast upon them the imputation of lesser virtue.
A fascinating, highly readable book, Smart Jews is an essential work in our ongoing debates about race, ethnicity, intelligence, and virtue.
"synopsis" may belong to another edition of this title.
Psychoanalyst-turned-medical historian Gilman builds on his previous work (The Jew's Body) about historical images of Jews to offer new insights into the vexed question of Jewish "superior" intelligence. Gilman examines a vast array of 19th- and 20th-century materials, from the writings of Francis Galton and Sigmund Freud to the works of playwright Georg Buchner and composer Alban Berg to Steven Spielberg's Schindler's List and Robert Redford's Quiz Show. Whether or not Jews are, in fact, smarter is never an issue; how the image of Jews as smarter has served the psychological and social needs and interests of Jews and Gentiles alike, is. Gilman is consequently less concerned with the validity of race-based intelligence theories than the burdens such claims (made by both Jews and Gentiles) have imposed upon Jews themselves. The average Jew may be smarter than the average Gentile, so the argument runs, but it is an intelligence without creativity?an effeminate, crafty type of intellect with no inherent link to virtue. Unfortunately, Gilman's contention, cast in a relatively graceless prose, is hurt rather than helped by its scholastic tone, as points are repeated needlessly in order to emphasize the image's tenacity. Less breadth and more narrative would have transformed this otherwise worthwhile exploration into an invaluable work of cultural criticism.
Copyright 1996 Reed Business Information, Inc.
Gilman (Franz Kafka: The Jewish Patient, 1995, etc.; Liberal Arts/Univ. of Chicago), who has previously written about physical stereotypes of Jews, turns his attention to the seemingly positive stereotyping of Jews as highly intelligent. Gilman has pondered many aspects of the ways in which the Jew is marked as the Other in Western culture. His latest effort grew out of his reaction to the success of The Bell Curve, with its revival of what had once seemed discredited arguments about race and intelligence. He asserts that the unstated agenda of Bell Curve authors Murray and Herrnstein was the conflation of ``intelligence'' and ``virtue,'' an implicit linkage of low intelligence and criminality. That argument, Gilman says, has received a great deal of scrutiny, but the equally implicit converse, that Jews are at the other end of the ``bell curve,'' has been more or less ignored. However, as Gilman carefully demonstrates, the notion of the superior intelligence of Jews is also the product of social constructions, shaped by the various political and racial agendas of the combatants. Social Darwinists at the turn of the century downgraded the Jews even as they acknowledged Jewish intellect, counterposing intelligence to supposed physical feebleness; the scientific racism of various fin- de-siŠcle advocates of eugenics often was accompanied by a distinction between ``intelligence'' and ``craftiness,'' a difference that was usually posited to the detriment of the Jews. In the book's last two chapters, Gilman discusses Berg's opera Wozzeck and such films and novels as The Last Tycoon, Schindler's List, and Quiz Show to illuminate how notions of Jewish intelligence are inscribed in both high and popular culture as the marker of Jewish difference. As usual, Gilman's insights are dazzling, his arguments rigorous and densely worked out. However, this volume is surprisingly dry, given the loaded subject matter, and will be of interest primarily to specialists. -- Copyright ©1996, Kirkus Associates, LP. All rights reserved.
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