What Warhol didn’t know was that Swan had also been called “America’s Leonardo,” portrait artist of the famous and the infamous, including writer Willa Cather, aviator Charles Lindbergh, British Prime Minister James Ramsay MacDonald, and dictator Benito Mussolini. This book is the first to tell Swan’s story, from his days as a world-famous dancer and artist, through his film career—which ran from silent pictures, including De Mille’s Ten Commandments (1923), to Warhol’s Camp, Paul Swan, and Paul Swan I-IV (1965)—to his portrait painting late in life when Nelson Rockefeller’s children, Malachy McCourt, and Pope Paul VI were among his subjects.
With unprecedented access to Swan’s scrapbooks, letters, diaries, and an unpublished memoir that tells the story of a bisexual man trying to build a public life in perilous times, Janis and Richard Londraville reconstruct the intriguing life of this uniquely interesting figure, whose story, although widely glossed in the press, was until now never fully known.
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In 1965, Andy Warhol made a film in which the 82-year-old dancer and gay camp idol Paul Swan, once called "The Most Beautiful Man in the World," is shown trying to recreate one of his youthful performances, unintentionally making a mockery of his past grace. The authors (Dear Yeats, Dear Pound, Dear Ford) of this insightful and compassionate biography take account of this and other pathetic aspects of Swan's old age, but for the most part they emphasize the positive side of his life. Raised on a Midwestern farm in a family dominated by a rigidly Methodist mother, Swan left home at 15, adopted a bohemian life style based on Oscar Wilde's dictum of art for art's sake, and became a successful portrait painter and sculptor as well as an actor, a poet and a leading exponent of classical dance. Bisexual, married and the father of two children, he was the quintessential eccentric, especially in his later years when he wore quantities of makeup, bathed in olive oil and stuffed his pants with socks to make himself appear better endowed. The Londravilles don't focus on these oddities. Their book succeeds because they concentrate on Swan's considerable artistic achievements, especially his accomplished portraits. (Mar.)
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Beauty and fame are fleeting and seem all the more so when possessed by one person as they were by poet, artist, and dancer Paul Swan. Quite forgotten today, Swan had an instinct for the right place and time to display his talents: on the vaudeville circuit in the teens, twenties, and thirties, in the Warhol crowd in the sixties. (Warhol filmed the elderly Swan creakily performing his campy, dancelike imitations of Greek heroes.) That instinct helped him to escape his dreary, rural Nebraska childhood home, a place deeply unpropitious to an artistic child with homosexual feelings; to make opportunities of what others found dead ends; and to propel himself from Chicago to New York and beyond, sometimes as a model, sometimes as an artist, always as a talented, resourceful American bohemian, wearing many hats to pay the rent while always returning to his easel. If Swan never painted a recognized masterpiece or choreographed a dance to equal those of Jerome Robbins or George Balanchine, the Londravilles' highly readable biography argues that, however minor, Swan matters. Jack Helbig
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first edition, 2006. scarce. paul swan (1883-1972) was a world-famous dancer, artist, and actor once heralded as "the most beautiful man in the world." he has also been described as "a gay camp icon." this is the first comprehensive look at swan's illustrious life, including his work as a portrait artist of infamous figures including mussolini, and the years he spent acting in andy warhol's short films in the 1960s. ex-library copy. lincoln and london: university of nebraska press. isbn: 0-8032-2969-0. 278 pages. 8.75 x 6". hardcover. bound in paper- and cloth-covered boards. book condition: library stamp to front endpaper. near fine. jacket condition: unclipped ($29.95). fine. Seller Inventory # 981
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