Art for Art s Sake and Literary Life is a history of literary aestheticism from the eighteenth century to modern deconstruction. Gene H. Bell-Villada examines writings by critics, philosophers, and other writers from Europe, Latin America, and the United States. Uniting all is his conviction that there are concrete social, economic, political, and cultural reasons for the emergence, growth, diffusion, and triumph of l art pour l art over the past two centuries.
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Gene A. Bell-Villada is a professor and chair in the Department of Romance Languages and Literatures at Williams College. He is the author of Borges and His Fiction, Garcia Márquez: The Man and His Work, and The Carlos Chadwick Mystery: A Novel of College Life and Political Terror.
In his lucid, humane history, Bell-Villada, professor of Romance languages and literatures at Williams College and author of Garcia Marquez: The Man and His Work, describes the history of l'art pour l'art, the notion that beauty, divorced from utility and morality, is a desirable end in itself. He traces the idea from (mis)readings of Kant and Schiller through Theophile Gautier, Walter Pater, Edgar Allen Poe and Latin American Modernismo to the New Critics and Paul de Man. Some of this genealogy has been investigated before, but Bell-Villada brings both a readable style and a wide knowledge of literature, social influences, politics and markets to his story. The invention of paint tubes and prefabricated canvases in the first half of the 19th century and the academicization of criticism and literary life in the middle of this one share space with a thorough reconsideration of Joyce's presumed aestheticism. The general reader will find succinct background material on all the germane people, concepts and contexts. There are some peculiarities: Bell-Villada goes far out of his way just to apply a rather lame market analogy to Modernism, and his bilious analysis of Nabokov's work is likely to raise some hackles. But overall, this is a wide-ranging, erudite, well-written study with a refreshing disdain for doctrine.
Copyright 1996 Reed Business Information, Inc.
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1st Edition in this form. Fine paperback copy. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. ; 8vo 8" - 9" tall; 340 pages; Physical desc. : x, 340 p. ; 23 cm. Includes bibliographical references (p. 307-328) and index. Subjects: Literature, Modern - History and criticism - Theory, etc. Art for art's sake (Movement). Aestheticism (Literature). Dates covered: 1790-1990 1 Kg. Seller Inventory # 158317
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Soft cover. Condition: Fine. 1st Edition. First Bison Books printing: 1998. 340pp. National Book Critics Circle Finalist. Signed & inscribed to bookseller at Williams College. Bright, clean & tight copy, unread, in FINE condition. Subtitle: How Politics and Markets Helped Shape the Ideology & Culture of Aestheticism 1790--1990. "ART FOR ART'S SAKE AND LITERARY LIFE is a history of literary aestheticism from the eighteenth century to modern deconstruction. Gene H. Bell-Villada examines writings by critics, philosophers, and other writers from Europe, Latin America, and the United States. Uniting all is his conviction that 'there are concrete social, economic, political, and cultural reasons for the emergence, growth, diffusion, and triumph of l'art pour l'art over the past two centuries.'" [publisher copy] "A wide-ranging, erudite, well-written study with a refreshing disdain for doctrine."--Publishers Weekly. "Professor Bell-Villada has rendered an incomparable service to those probing the sources of the modern aesthetic . . . I have found his book so wide-ranging and inclusive that I would recommend it enthusiastically."--Dore Ashton. "Lucid and learned . . . Much more than an exercise in retrieval, although it is splendid on this account alone, Bell-Villada has also joined debates about the Latin American novel, deconstructionism, and post-modernism, offering what is always in short supply: a wide-angled, historical, and penetrating perspective."--Russell Jacoby. Pristine paperback w/brilliant corners & crisp edges, a square & tight binding w/no creases in spine. Inscribed by Author(s). Seller Inventory # RUB3060
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