In 1971 Manual Elizalde, a Philippine government minister with a dubious background, discovered a band of twenty-six “Stone Age” rain-forest dwellers living in total isolation. The tribe was soon featured in American newscasts and graced the cover of National Geographic. But after a series of aborted anthropological ventures, the Tasaday Reserve established by Ferdinand Marcos was closed to visitors, and the tribe vanished from public view.
Twelve years later, a Swiss reporter hiked into the area and discovered that the Tasaday were actually farmers whom Elizalde had coerced into dressing in leaves and posing with stone tools. The “anthropological find of the century” had become the “ethnographic hoax of the century.” Or maybe not. Robin Hemley tells a story that is more complex than either the hoax proponents or the authenticity advocates might care to admit. It is a gripping and ultimately tragic tale of innocence found, lost, and found again. The author provides an afterword for this Bison Books edition.
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Robin Hemley is the author of numerous books, including The Last Studebaker and Nola: A Memoir of Faith, Art, and Madness. He is a graduate of the Iowa Writers' Workshop and is director of the Nonfiction Writing Program at the University of Iowa.
In 1971, a tiny band of appealingly primitive people was discovered in the Philippines. Profiled on the NBC Evening News, the Tasaday, as they were called, were soon touted as the most significant anthropological discovery of the century, appealing to Westerners curious about the ancient past, and who also fretted about the impact modernity might have on such long-isolated peoples. But in the mid-1980s, Swiss reporter Oswald Iten revealed the group as a hoax. Fascinated by the controversy, Hemley (The Last Studebaker) looks to rescue the Tasaday from the verdicts of what he views as a hyperbolic Western media. From the outset, the Tasaday were tainted by their association with their megalomaniacal protector, Manuel Manda Elizalde, who combined genuine concern for the group with a naked desire to profit through them. Unsurprisingly, the band's reception was inextricably linked with the fortunes of the Marcos and Aquino regimes, and revolutionary guerrilla movements in the region made contact with the Tasaday dangerous. What's clear is that the Tasaday were exploited by enthusiasts and skeptics alike fodder for romantic noble savage ideals as well as for cynicism. Arguments surrounding the Tasaday hinge on questions of language, location and genealogy, and Hemley's noncommittal approach essentially that the Tasaday fell somewhere between genuine article and hoax isn't the best conduit for clarity. What remains clear is that isolation of this sort is a construct; as Henley writes, to our great dismay, no one is as isolated as we once thought. Indeed, stripped of Western rhetoric, the Tasadays' real identity proves elusive. To his credit, Hemley is the rare Westerner who leaves the Tasaday with their enigma and dignity intact. 8 pages of b&w photos not seen by PW.
Copyright 2003 Reed Business Information, Inc.
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