Sassy worries that her too-large feet, too-long legs, and even her big mouth will keep her from her dream of becoming a star ballerina. So for now she's just dancing in the wings, watching from behind the curtain, and hoping that one day it will be her turn to shimmer in the spotlight. When the director of an important dance festival comes to audition her class, Sassy's first attempts to get his attention are, well, a little wobbly. But Sassy just knows, somehow, that this is her time to step out from those wings, and make her mark on the world. Actress/choreographer Debbie Allen and Kadir Nelson collaborated on Brothers of the Knight, about which School Library Journal raved, "the strutting high-stepping brothers are full of individuality, attitude, and movement."
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Actor, director, dancer/choreographer and singer, Debbie Allen's career has touched nearly every facet of the entertainment industry.
Allen's Broadway career as a dancer, singer and actor began in the chorus of "Purlie". She next appeared in "Raisin", then in the 1979 production West Side Story", for which she won a prestigious Drama Desk Award, as well as, her first Tony Award nomination. Allen received another Tony Award nomination in 1986 for her role as Bob Fosse's "Sweet Charity".
Allen's choreography career soared in 1980 with the international hit TV series "Fame". In 1988 she went behind the scenes to choreograph the new American Musical "Carrie with the Royal Shakespeare Company" and has continued to devote herself to that discipline. She holds the distinction of having choreographed the Academy Awards for five consecutive years. Allen collaborated with James Ingram to create "Brothers of the Knight" which played at the prestigious Kennedy Center in Washington, DC in the spring of 1998.
As Resident Director of the hit television series "Fame", in which she also starred, Allen went on to direct episodes of "Family Ties", "Bronx Zoo", "A Different World" and the pilot for "The Fresh Prince of Bel Air", which she also produced. Her work with made-for-television movies, such as Disney's "Polly" and CBS's "Stompin at the Savoy" earned a reputation as one of the most sought after directors in Hollywood.
Recently, she directed the Martin Luther King special, entitled "One Day" for the Disney Channel as well as the critically acclaimed "Linc's Place" for Showtime.
Allen received international recognition as producer of Steven Spielberg's breathtaking "Amistad" As an actress, Allen received three Emmy Award nominations and one Golden Globe for her role as Lydia Grant in "Fame" She also received favorable notices for her role as Deloris Jordan in Fox Family Channels "Michael Jordan: An American Hero" and as Richard Pryor's feisty wife in the semi-autobiographical film "Jo Jo Dancer, Your Life is Calling."
Other feature films to her credit include Milo Forman's "Ragtime" and "The Fish That Saved Pittsburgh". This year she amazed audiences and critics alike with her portrayal of Harriet Tubman in "Harriet's Return" at the Geffen Playhouse.
Some of Allen's many honors include Essence Awards in 1992 and 1995, the first Lena Horne Award for Career Achievement at the Soul Train Lady of Soul Awards and two honorary doctorates, one from the North Carolina School of the Arts and the other from her alma mater, Howard University.
Allen currently resides in Los Angeles with her husband, Norman Nixon, and their two children, Vivian Nichole and Norman Jr.
Books by Debbie Allen:
Brothers of the Night
Dancing in the Wings
Amistad: Give us Free
Kindergarten-Grade 2-This charming picture book focuses on the world of ballet classes, and children's cruelty toward those who are different. Sassy loves to dance but she is tall, gangly, and has really big feet. Her desire to perform is her strongest asset. When she soars through the air in a giant leap, she feels like she can do anything. Sassy does indeed live up to her name. This African-American child is fresh, she is innovative-she wears a bright yellow leotard to stand out in the crowd-and she is determined. The story is sure to build self-esteem in those readers who can empathize with Sassy and they'll cheer when she takes center stage in a dance festival in the nation's capital. Nelson's artwork conveys Sassy's spirit and captures well the expressions of her smug, mocking classmates. A great read-aloud.
Kay Bowes, Concord Pike Library, Wilmington, DE
Copyright 2000 Reed Business Information, Inc.
The creators of Brothers of the Knight here offer an inspirational story of a hopeful young ballet dancer who complains of her too-big feet and too-long legs: "I was too big for the boys to pick up, and too tall to be in line with the other girls. So I watched from backstage, dancing in the wings, hoping that if I just kept dancing and trying, it would be my turn to dance in the spotlight." Though her brother and several of her peers constantly razz her, Sassy's uncle encourages her to audition for a role in a summer dance festival, asserting, "All you gotta do to make your mark on the world is walk into a room." The director of the festival echoes this sentiment when he announcesAin the book's foreseeable denouementAthat Sassy has landed a place in his program. Allen's wordy narrative occasionally tries too hard to be hip (featuring such slang put-downs as "Your mama" and "Talk to the hand"), but this tale may well boost the confidence of youngsters who share Sassy's lack of self-assuredness. Nelson's animated illustrations depict Sassy with a grace that belies her self-image and that effectively foreshadows the accolades to come. Ages 4-8. (Sept.)
Copyright 2000 Reed Business Information, Inc.
Ages 5-8. Though tall and lanky for a ballerina, Sassy loves to dance and dreams of performing on stage. She is hurt when a classmate refers to her as "tyrannosaurus," but heartened by her Uncle Redd's belief that she's so tall and pretty, "All you gotta do to make your mark on the world is walk into a room." At an audition for a summer dance festival, a Russian ballet master echoes the same sentiment, choosing Sassy for the festival. The closing pages show her onstage, in the spotlight, partnered by an even taller young man. One of the few ballet books featuring an African American protagonist, this story echoes the dreams and fears of many young dancers. The artwork, using oil paints over pencil drawings, is sometimes exaggerated in expression or gesture, but clearly shows the characters' attitudes and emotions. Both text and illustrations portray family relationships deftly and with touches of humor. A lively picture book for aspiring dancers. Carolyn Phelan
Copyright © American Library Association. All rights reserved
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