Book by Bourdieu, Pierre
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“It is one of only a few studies to apply the results of surveys and interviews to form an analysis from a social perspective. It is also important because it reveals aspects of Bourdieu’s theories at an early stage.”—Choice
“The significance of Bourdieu’s work for American studies lies in his powerful argument about the social definitions of popular aesthetics. His insistence that even the most trivial photographs serve social functions can be extended beyond photography and, thus, should be of interest to any student of popular culture.”—American Quarterly
Pierre Bourdieu is Professor of Sociology at the Collège de France and Director of the Center for European Sociology at the École de Hautes Études en Sciences Sociales.
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Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. This book is in very good condition; no remainder marks. It does have some shelfwear scratching and edge wear. Inside pages are clean. ; 6.25 X 0.75 X 9.25 inches; 218 pages. Seller Inventory # 03SA24-977-308
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Hardcover. Condition: Near Fine. Dust Jacket Condition: Very Good. first published in France in 1965 - 1st U.S.A. publication by Stanford University Press, slightest of wear to book, dj shows very light wear with a short tear to bottom left of front panel at fold. Seller Inventory # FSR-1255
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Hardcover. Condition: As New. Dust Jacket Condition: Fine. 1st Edition. Volume, measuring approximately 6.25" x 9.5", is bound in black cloth, with stamped silver lettering to spine. Book is like new. Dust jacket shows very light shelfwear. Jacket is preserved in mylar cover. ix/218 pages. "The everyday practice of photography by millions of amateur photographers may seem to be a spontaneous and highly personal activity. But France's leading sociologist and cultural theorist Pierre Bourdieu and his research associates show that few cultural activities are more structural and systematic than photography. This perspective and wide-ranging analysis of the practice of photography reveals the logic implicit in this cultural field. For some social groups, photography is primarily a means of preserving the present and reproducing moments of collective celebration, whereas for other groups it is the occasion of an aesthetic judgment in which photographs are endowed with the dignity of works of art. Bourdieu and his associates examine the socially differentiated forms of photographic practice by drawing on the results of surveys and interviews and by analizing the attitudes and characteristics of both amateur and professional photographers. "Photography," first published in 1965, provides an excellent opportunity to observe key parts of Bourdieu's theories at a formative stage. Ideas that will become central to his thought -- the habitus, the structuring of taste by class position, people's use of taste to distinguish themselves from the classes to which they are adjacent, and the internalization of objective probabilities -- make an early appearance here. Along with Bourdieu's "The Love of Art,".it is the first study to integrate survey research and anthropological observation in a manner for which Bourdieu has become justly renowned.". Seller Inventory # ABE-1697565601012
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