In its broadest sense, this lavishly illustrated book is about the relationship between topography and the language of visual symbols a painter manipulates, or must invent, to suggest specific places. What meanings are encoded in topographical paintings? What do such pictures tell us about artist, audience, and society? What do these paintings reveal about deeply felt cultural attitudes about place?
The middle decades of the eighteenth century in Japan were a time of enormous creative energy and burgeoning intellectual curiosity. A growing stress on the personality of the artist gave rise to a change in the status of the painter, who came to be seen as someone whose experiences were worthy of appreciation. Ike Taiga (1723-76), by virtue of his talent, forceful personality, and sensitivity to his patrons' tastes, captures the energy and aspirations of his age.
Taiga gained artistic fame for his new methods of depicting actual places and ways of imbuing his paintings with meaning. From Chinese art he borrowed new modes of brushwork, conceptions of the moral authority inherent in the empirical observation of nature, and an appreciation of the painter as more than a craftsman. From the Japanese tradition, he tapped the sense of place, long a part of Japanese poetics.
The author shows how Taiga's paintings relate to historical issues of his day and how they create a model of the artistic life that influenced the development of the literati painting movement in Japan. Just as Taiga represents a transitional moment in the Japanese concept of the artist, so his topographical paintings represent a transitional moment between the prescriptive, sketchbook models of the ancient tradition and the modern conception of plein air painting.
The book is illustrated with 64 black-and-white half-tones and line drawings and 33 halftones in full color. It includes a catalogue raisonne of all Taiga's true view pictures, a chronology of his life, and a list of names he used. An appendix reproduces and discusses 37 of Taiga's seals.
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“Takeuchi brilliantly captures the spirit of an entire age, artistically and intellectually. In addition, her information and observations are rendered in beautifully crafted prose.”—Monumenta Nipponica
“In explaining Taiga’s uniqueness and historic importance, Takeuchi makes sharp and vital connections between observable aspects of Taiga’s painting style and the meaning they had against the contemporary background of Japanese beliefs and society. Her study is attuned to current issues in Western historical scholarship, and leaves the reader convinced that Asian art can be profoundly accessible to Western eyes with the aid of a knowing guide.”—San Francisco Chronicle
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Seller: Winged Monkey Books, Washington, DC, U.S.A.
First American Edition. Good in good chipped jacket with some wear. Book. Seller Inventory # 013233
Seller: Russell Books, Victoria, BC, Canada
Condition: Very Good. Seller Inventory # FORT876413
Quantity: 1 available
Seller: Renaissance Books, Victoria, BC, Canada
Hardcover. Condition: Near Fine. Dust Jacket Condition: Fine. First Printing of the First Edition. Essentially a fine copy, with the ownership name of a respected Asian art scholar on ffep., in a fine jacket, Large, overweight volume may incur extra postage. Seller Inventory # 14866
Quantity: 1 available
Seller: Leahi Books, Olalla, WA, U.S.A.
Hardcover. Condition: Fine. Dust Jacket Condition: Near Fine. 1st Edition. Taiga's True Views; The Language of Landscape Painting in Eighteenth-Century Japan Melinda Takeuchi Stanford University Press 1992 HB First Edition ISBN 0804719152 FINE, Clean and bright, no chips, tears, creases or markings. In NEAR FINE, slightly shelf rubbed dust jacket edgewear, to one corner, now protected in archival mylar. Seller Inventory # JPN-ART-T06