This book, by one of the most challenging contemporary thinkers, begins with an essay that introduces the principal concern sustained in the four succeeding ones: Why are there several arts and not just one? This question focuses on the point of maximal tension between the philosophical tradition and contemporary thinking about the arts: the relation between the plurality of the human senses—to which the plurality of the arts has most frequently been referred—and sense or meaning in general. Throughout the five essays, Nancy’s argument hinges on the culminating formulation of this relation in Hegel’s Aesthetics and The Phenomenology of Spirit—art as the sensible presentation of the Idea. Demonstrating once again his renowned ability as a reader of Hegel, Nancy scrupulously and generously restores Hegel’s historical argument concerning art as a thing of the past, as that which is negated by the dialectic of Spirit in the passage from aesthetic religion to revealed religion to philosophy.
"synopsis" may belong to another edition of this title.
Jean-Luc Nancy is Professor of Philosophy at the University of Strasbourg. Stanford has published two of his many books in English translation: The Birth to Presence and The Experience of Freedom (both 1993).
This book, by one of the most challenging contemporary thinkers, begins with an essay that introduces the principal concern sustained in the four succeeding ones: Why are there several arts and not just one? This question focuses on the point of maximal tension between the philosophical tradition and contemporary thinking about the arts: the relation between the plurality of the human senses—to which the plurality of the arts has most frequently been referred—and sense or meaning in general.
Throughout the five essays, Nancy’s argument hinges on the culminating formulation of this relation in Hegel’s Aesthetics and The Phenomenology of Spirit—art as the sensible presentation of the Idea. Demonstrating once again his renowned ability as a reader of Hegel, Nancy scrupulously and generously restores Hegel’s historical argument concerning art as a thing of the past, as that which is negated by the dialectic of Spirit in the passage from aesthetic religion to revealed religion to philosophy.
"About this title" may belong to another edition of this title.
Seller: Book Alley, Pasadena, CA, U.S.A.
paperback. Condition: Good. Good. Used with wear and/or markings but is still in solid reading condition. Pasadena's finest new and used bookstore since 1992. Seller Inventory # mon0000744195
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Condition: New. Seller Inventory # 252539-n
Seller: Lucky's Textbooks, Dallas, TX, U.S.A.
Condition: New. Seller Inventory # ABLIING23Feb2416190201540
Seller: BargainBookStores, Grand Rapids, MI, U.S.A.
Condition: New. The Muses (Paperback or Softback). Seller Inventory # BBS-9780804727815
Seller: Carmarthenshire Rare Books, Carmarthen, United Kingdom
Soft cover. Condition: Fine. No Jacket. 1st Edition. paperback, 118 pages, fine. We are a real bookshop with real books situated in and shipping from the United Kingdom. Shelf B101. Seller Inventory # 133205
Quantity: 1 available
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Condition: As New. Unread book in perfect condition. Seller Inventory # 252539
Seller: Rarewaves USA, OSWEGO, IL, U.S.A.
Paperback. Condition: New. This book, by one of the most challenging contemporary thinkers, begins with an essay that introduces the principal concern sustained in the four succeeding ones: Why are there several arts and not just one? This question focuses on the point of maximal tension between the philosophical tradition and contemporary thinking about the arts: the relation between the plurality of the human senses-to which the plurality of the arts has most frequently been referred-and sense or meaning in general. Throughout the five essays, Nancy's argument hinges on the culminating formulation of this relation in Hegel's Aesthetics and The Phenomenology of Spirit-art as the sensible presentation of the Idea. Demonstrating once again his renowned ability as a reader of Hegel, Nancy scrupulously and generously restores Hegel's historical argument concerning art as a thing of the past, as that which is negated by the dialectic of Spirit in the passage from aesthetic religion to revealed religion to philosophy. Seller Inventory # LU-9780804727815
Seller: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Ireland
Condition: New. This analysis of art and its modes of existence by a contemporary French philosopher begins with an essay that introduces the principal concern sustained in the four succeeding ones. Translator(s): Kamuf, Peggy. Series: Meridian: Crossing Aesthetics. Num Pages: 136 pages, 3 half-tones. BIC Classification: ABA; HPN. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 217 x 137 x 9. Weight in Grams: 190. . 1996. 1st Edition. Paperback. . . . . Seller Inventory # V9780804727815
Quantity: Over 20 available
Seller: THE SAINT BOOKSTORE, Southport, United Kingdom
Paperback / softback. Condition: New. New copy - Usually dispatched within 4 working days. Seller Inventory # B9780804727815
Quantity: Over 20 available
Seller: Kennys Bookstore, Olney, MD, U.S.A.
Condition: New. This analysis of art and its modes of existence by a contemporary French philosopher begins with an essay that introduces the principal concern sustained in the four succeeding ones. Translator(s): Kamuf, Peggy. Series: Meridian: Crossing Aesthetics. Num Pages: 136 pages, 3 half-tones. BIC Classification: ABA; HPN. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 217 x 137 x 9. Weight in Grams: 190. . 1996. 1st Edition. Paperback. . . . . Books ship from the US and Ireland. Seller Inventory # V9780804727815