Flint on a Bright Stone closes a significant gap in the history of Modernist poetry by identifying the existence of "Tempered Modernism," which blossomed in the first two decades of the twentieth century, and was exemplified by the early works of Akhmatova, Rilke, H. D., and Williams. While the international nature of Radical Modernism, such as Futurism, Expressionism, and Dadaism, has been well documented, the connections among Tempered Modernists have been ignored. This is the first book to delineate thoroughly the international nature of this phenomenon―an evolutionary alternative to the revolutionary Futurist techniques of shock and rupture. Tempered Modernists sought newness through precision, palpability, equilibrium, and restraint, crafting small poems that found beauty in the subdued, ordinary, and everyday.
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"...a clear and cogent scholarly work by an unusually gifted translator of poetry."—American Literature
"...this book, elegantly constructed in the manner of the tempered modernism which it admires, makes an important contribution to the discipline of comparative literature and provides numerous insights into the work of individual poets."—Modern Language Review
Kirsten Painter is an independent scholar of comparative literature and earned her Ph.D. from Columbia University in 2000. She has taught undergraduate and graduate courses at New York University.
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Hardcover. Condition: new. Hardcover. Flint on a Bright Stone closes a significant gap in the history of Modernist poetry by identifying the existence of "Tempered Modernism," which blossomed in the first two decades of the twentieth century, and was exemplified by the early works of Akhmatova, Rilke, H.D., and Williams. While the international nature of Radical Modernism, such as Futurism, Expressionism, and Dadaism, has been well documented, the connections among Tempered Modernists have been ignored. This is the first book to delineate thoroughly the international nature of this phenomenon - an evolutionary alternative to the revolutionary Futurist techniques of shock and rupture. Tempered Modernists sought newness through precision, palpability, equilibrium, and restraint, crafting small poems that found beauty in the subdued, ordinary, and everyday. This book is also the first to juxtapose the two female practitioners, Akhmatova and H.D., whose poems best embodied the theories created by their male counterparts, Gumilev and Pound.In this book, Painter shows that understanding the existence of Tempered Modernism and its relation to Radical Modernism is essential for understanding the history and nature of Modernism. In this book, Painter shows that understanding the existence of Tempered Modernism and its relation to Radical Modernism is essential for understanding the history and nature of Modernism. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Seller Inventory # 9780804750752
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Condition: New. Flint on a Bright Stone closes a significant gap in the history of Modernist poetry by identifying the existence of "Tempered Modernism," an international phenomenon exemplified by Akhmatova, Rilke, H.D., and Williams, and characterized by small poems written with precision, restraint, simplicity, equilibrium, and hardness. Series: Verbal Art: Studies in Poetics. Num Pages: 328 pages. BIC Classification: 2AB; 2ACG; 2AGR; DSBH; DSC. Category: (G) General (US: Trade); (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 5817 x 3887 x 24. Weight in Grams: 585. . 2005. Hardback. . . . . Seller Inventory # V9780804750752
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