Filmmakers often use dramatic license in playing with facts to enhance a story's drama, illuminate an overlooked perspective, or fuel historical debate. Here, 60 historical writers (including popular authors such as Stephen Jay Gould, Antonia Fraser, and Gore Vidal) look beneath the celluloid surface of classic movies to explore the relationship between film and reality, from prehistory ( Jurassic Park ) to modern times ( Dr. Strangelove, Malcolm X, Apocalypse Now ). Entries look at plot, costume design, technology, and character portrayals, examine the historical aftermath of events in the film, juxtapose film stills with historical paintings and photos, and suggest background reading for the historical period depicted in each film. Annotation copyright Book News, Inc. Portland, Or.
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In our increasingly visual culture, a growing amount of what we learn about history comes from the movies. This unusual and cornucopian book draws on the knowledge of 60 experts who examine the historical accuracy of a splendid array of classic movies such as Julius Caesar, Aguirre the Wrath of God, Mutiny on the Bounty, The Last of the Mohicans, Gallipoli, and Gandhi. They reveal what each movie has done right and wrong in portraying the complex threads of the stories as known to the world's most qualified scholars. Highly Recommended.
Mark C. Carnes is the chairman of the department of history at Barnard College, Columbia University, and the executive secretary of the Society of American Historians.
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