In a brilliant coda to the play Copenhagen, Michael Frayn receives mysterious letters that take him back to the theme of his bestselling novel, Headlong -- human folly, this time his own.
Michael Frayn's Copenhagen has established itself as one of the finest pieces of drama to grace the stage in recent years. The subject of the Tony-winning play is the strange visit the German nuclear physicist Werner Heisenberg made to his former mentor, scientist Niels Bohr, in Nazi-occupied Copenhagen and the quarrel that ensued. Heisenberg's intentions on that visit, for good or for evil, have long intrigued and baffled historians and scientists. One day, during the British run of Copenhagen, Frayn received a curious package from a suburban housewife, which contained a few faded pages of barely legible German writings. These pages, which she claimed to have found concealed beneath her floorboards, seemed to cast a remarkable new light on the mystery at the heart of play. As more material emerged -- specifically notes that appeared to give instructions on how to put up a table-tennis table but perhaps containing important encoded information -- actor David Burke, who was playing Niels Bohr, began to display extreme, even suspicious interest in Frayn's growing obsession with cracking the riddle of the papers. And Frayn, for his part, lost all sense of certainty. Was he the victim of an elaborate hoax? By turns comic and profound, The Copenhagen Papers explores the conundrum that is always at the heart of Frayn's work -- human gullibility and the eternal difficulty of knowing why we do what we do.
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Michael Frayn is the author of the award-winning Copenhagen and twelve other plays, including Noises Off. The most recent of his nine novels is Headlong, a New York Times Editor's Choice and Booker Prize finalist. He lives in London.
David Burke, an actor, has worked extensively with Britain's National Theatre and the Royal Shakespeare Company. He played Niels Bohr in the London production of Copenhagen.
While Frayn's play Copenhagen won three Tony awards in 2000 (including best play), and the London playwright has Noises Off and the Booker Prize finalist Headlong to his credit, he doesn't enjoy the same name recognition here as does, say, a native like David Mamet. Interest in this Copenhagen spinoff project may thus depend on readers' willingness to delve into the arcana of physics and history, and into the working lives of the playwright and of Burke, a leading player in the London run of Copenhagen. The play itself concerns a mysterious 1941 meeting in the Nazi-occupied Danish capital between Werner Heisenberg, head of the covert Nazi nuclear program, and Niels Bohr (played by Burke), his former mentor. After the war, Heisenberg was interned by the British for six months at an estate called Farm Hall so the Allies might learn how far the German program had gotten events also covered in the play. This book concerns a mysterious package Frayn received during the play's London run, from "Celia Rhys-Evans," saying that she had seen the play, and that during a stay at Farm Hall in the '60s she had found some papers written in German that must be relevant. The crumpled papers appeared to make a joke about Ping-Pong and uranium 235. In true British style, it turned out to be a hoax perpetrated by Burke, revealed by a third person just as Frayn was about to go to the papers. Still with us? Most American readers won't be, though as Frayn and Burke trade chapters and it becomes clear who knew what when, there are plenty of verbal and intellectual pleasures to be had.
Copyright 2001 Cahners Business Information, Inc.
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