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One morning in September 1982, a struggling novelist recovering from a near-fatal illness purchases, on impulse, a blue notebook from a new store in his Brooklyn neighborhood. So begins Auster's artful, ingenious 12th novel, which is both a darkly suspenseful domestic drama and a moving meditation on chance and loss. Reflecting on a past conversation and armed with his new notebook, Sidney Orr is compelled to write about a man who walks away from his comfortable, staid life after a brush with death a contemporary retelling of the Flitcraft episode in Dashiell Hammett's The Maltese Falcon. Orr's description of his fictional project takes over for a while, but through a framing narrative and a series of long, occasionally digressive footnotes, he teasingly reveals himself, his lovely wife, Grace, and their mutual friend, the famous novelist John Trause. While Orr's hero finds himself locked in a bomb shelter, Grace begins behaving strangely, the stationery shop is shuttered, John's drug-addicted son looms menacingly in the background and the blue notebook exerts a troubling power. The plot of this bizarrely fascinating novel strains credibility, but Auster's unique genius is to make the absurd coherent; his stories have a dreamlike, hallucinatory logic. The title comes from the name of the novel that appears within the story Orr is writing, and hints at the book's theme: that fiction might be at some level prophetic, not merely reflecting reality but shaping it. There is tension, however, between power and impotence: as Orr puts it, "Randomness stalks us every day of our lives, and those lives can be taken from us at any moment for no reason at all."
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Auster's approach to storytelling becomes more mystical, more intense, more labyrinthine, and more noir with each novel. Like The Book of Illusions (2002), Auster's newest metaphysical fable portrays a man haunted by the vagaries of memory, the promise of death, the longing to be good. He also lives in fear that his wife will leave him. Struggling to fully recover from a nearly fatal illness, Sidney, a writer living in Brooklyn, is intrigued when a close friend (and a more famous writer) suggests that Sidney write a variation on a Dashiell Hammett tale about a man who abruptly walks away from his life. After purchasing a seemingly enchanted blue notebook (blue has magical and moral connotations for Auster), Sidney begins feverishly writing a dark, fabulously archetypal fairy tale about a book editor named Nick, a rediscovered manuscript of a World War I novel titled Oracle Night in which a British officer is blinded and then cursed with the unbearable gift of prophecy, and Ed Victory, a man on a strange mission in Kansas City. As one spellbinding and provocative storyline leads breathlessly to another, characters and readers alike are lured deep into the maze of the psyche until Auster orchestrates a terrifying denouement that burns away all ambiguity, leaving his hero enraptured by the radiance of what matters most: love. Donna Seaman
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